Steve Conrad

Wonder

First Hit:  This film was incredibly touching and wonderful to watch.

From the get go, I was totally taken away and transported into a wide-ranging realm of feelings and emotions. Wearing a NASA space helmet is how we are introduced to Auggie, August Pullman (Jason Tremblay). Because we know Auggie has a facial deformity we want to see what he looks like.

Helping the audience engage and look at themselves, early in the film, Auggie’s mother Isabel (Julia Roberts) tells Auggie that everyone has scars from living their life.

The first moment I was deeply touched by the depth of what Auggie was going to deal with was his first day of school. He had been homeschooled by his mom and going into the 5th grade was to be his first foyer into the public-school system.

As his dad Nate (Owen Wilson), Isabel, and sister Via (Izabela Vidovic) walk him to the front of school, the audience can feel the anxious anticipation of his helmet removal and seeing all the kids stare at him with a somewhat shocked look in their faces.

The first day is hell for him, no one really talks to him and a rumor begins that if someone touches him, they’ll get the plague. I felt for him deeply as he was ignored. Slowly he gains one friend, Jack Will (Noah Jupe), because Auggie helps him with a science pop-quiz.

In the meantime, the film takes time and develops Via who is ignored by her family most of her life because of Auggie’s circumstance. Another way this film adds to its depth is by doing short 5 minute segments about specific people in the film including Via, Jack and Via’s close friend Miranda (Danielle Rose Russell). It was smart and done in an effective manner.

The film really focuses on the dynamics that the family deals with not just Auggie’s struggle.

As Auggie finds his footing in school his classmates begin to see his depth and personality, which opens the door for his life to become more socially whole.

Tremblay was amazing as Auggie. He exemplified the struggle a young boy with this deformity would have to deal with. Roberts was, divine. Her laugh, smile and tears of both sadness and joy come across as genuine. She doesn’t do a lot of movies these days, so to get a chance to see her is wonderful. Wilson is great as Auggie’s father. Vidovic was sublime as Auggie’s sister. She embodied the young capable daughter finding her own way as her family focuses on her brother. The play she stars in encapsulated the story perfectly. Jupe was superb as the first young boy to reach out to Auggie. Millie Davis (plays school mate Summer) was like her character’s name “Summer.” Russell was really good as Via’s friend who had to find her way back into the Pullman’s family. Mandy Patinkin as the school principle Mr. Tushman was amazing. We all needed a principle like him in our lives. Stephen Chbosky, Steve Conrad, and Jack Thorne wrote a strong and effective screenplay. Director Chbosky got amazing performances from everyone.

Overall:  This was a truly wonderful story turned into a touching film.

Unfinished Business

First Hit:  Funny, long winded at times, and a convoluted story that didn’t quite work.

Story starts with Dan (Vince Vaughn) leaving the company he works for because the person he works for, Chuck (Sienna Miller), is reducing his commission again. He storms out of the building and meets Timothy (Tom Wilkinson) who has been let go because of his age and Mike Pancake (Dave Franco) who is a challenged employee.

They agree to form a company together and go into direct competition against their old company. They believe they've scored a great contract but have to go to Germany to close the deal. When they get there they find out they are a fluffer (a company that is part of the bidding process to make a competitor, his old boss, look good).

However they decide they can win the contract and work to close the deal. What I thought was the funniest situation in this film was Dan having to stay in a museum as part of an art installation. His bed, everything, was able to be viewed through glass by the museum attendees. The name of the artwork he was installed in was American Businessman #42. Another funny scene was the steam bath scene.

There are also some very touching scenes of him and his son and daughter as they talk through life situations.

Vaughn was typical Vaughn and he’s really not a character in a movie but more of himself in a particular role. Fast-talking, occasionally intelligent, and mostly a wise ass. Miller has a minor role and was OK. Wilkinson was really pretty good in his role as the old codger who’s trying to get a little more out of his life before he dies. Franco was funny and carried off the naivety required with aplomb. Steve Conrad wrote an amusing script. Ken Scott’s direction was adequate.

Overall:  There were some funny bits, but overall it was a let-down.

The Secret Life of Walter Mitty

First Hit:  Uneven, partially compelling and entertaining enough to keep me engaged.

Walter Mitty (Ben Stiller) is an anonymous film librarian for a major magazine. He daydreams about taking and having adventures in his life especially when they include co-worker Cheryl Melhoff (Kristen Wiig) whom he likes but cannot seem to connect with. An example the film uses is when he cannot even leave her a wink on a dating site because his profile is so boring and lacking information.

The magazine is going to be going digital and therefore his and most of his co-workers’ jobs will be eliminated. Leading the change in the magazine is Ted Hendricks (Adam Scott). But for the last issue, famous photographer Sean O’Connell (Sean Penn) sends a negative (#25) for the magazine to use.

However, Mitty and his co-worker Hernando (Adrian Martinez) cannot find it in the role that was sent by O’Connell. Where this negative actually resides was no surprise and easily deduced. However because Hendricks is pushing to see the negative and Mitty doesn’t have it, he decides to find O’Connell. This trip takes him to explore many frozen north countries and towns.

Some of these scenes and cinematography are magnificent and make one want to go visit them. However, the drunken Icelandic helicopter pilot scenes weren’t necessary and put in for comedy relief. Another one of many writing and direction errors. Yes, there is enough going for the film it is watchable.

Stiller was, at times, fun to watch and does his role as well as he can do it. However, other scenes seemed to just move the plot along. These poorly conceived scenes are part acting issues but poor directing - by Stiller. Penn was fun to watch and to see his natural aging bringing out a deeper character was good. Scott was both good and poor in his role. The beard was a poor wardrobe and character choice. Wiig is one of the better and more consistent parts of this film. Steve Conrad wrote an over ambitious script by trying to put too many twists into it. Stiller, as previously mentioned, tried to do too much with the film (think – diving from Subway platform into a window) and at other times didn’t do enough.

Overall:  This was entertaining enough to watch and stay with it.

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