Randall Park

Always Be My Maybe

First Hit: This film had wonderfully funny moments and pointed scenes about discovering love right next door.

Childhood friends and neighbors Sasha Tran (Ali Wong) and Marcus Kim (Randall Park) spent all their spare time together growing up. Sasha’s parents were rarely home as they were tending to the family store, so Sasha spent time at Marcus’ house. Marcus’ mother cooked a lot and taught Sasha how to cook great original Asian recipes.

After the sudden accidental loss of his mother, Marcus and Sasha were in his car and in processing his grief, he attempts to kiss Sasha. At first, it was awkward, but she eventually responds, and after a funny make-out session they end up having car sex, and anyone who has had car sex knows how passion filled, intimate, and ridiculous it can be.

However, those two events build a wall between them, and they grow apart. Marcus gives up his plans for a future as a musician to take care of his father Harry (James Saito) who is a heating and air-conditioning specialist.

Marcus starts dating Jenny (Vivian Bang) a dreadlocked Asian woman while working with his dad. Although he continues to play in his band, they’ve not tried to expand their music into new venues. Marcus’ world has become small while supporting his dad. 

Sasha, on the other hand, has become a well-known celebrity chef who is used to walking red carpets and opens restaurants around the country. She’s engaged to her manager Brandon Choi (Daniel Dae Kim). Although at first, Brandon wants to marry Sasha, he changes his mind and heads off to open another restaurant overseas and tells Sasha they are on a break. Meanwhile, after opening a restaurant in LA, Sasha heads home to San Francisco to open another previously planned restaurant.

At a chance, or not so chance, meeting set up by Sasha’s assistant Veronica (Michelle Buteau), Sasha and Marcus reunite. One evening Sasha has a meeting and date with Keanu Reeves which, in her mind, was unbelievably fantastic.

Double dating with Jenny and Marcus, Sasha and Keanu meet for dinner at an exclusive and expensive restaurant where Keanu, arrives fashionably late, greets tables of well-wishers and admirers before sitting down. The food is pretentious and so is Keanu when he picks up the bill for 6,400 dollars, and we learn, that for Reeves, it is merely a residual check amount for the film Speed.

They head to Keanu’s hotel room to play a game and it ends up Marcus punches Keanu after Reeves rudeness hits a high point. Sasha and Marcus leave, star-struck Jenny stays.

This reuniting of Marcus and Sasha grows until she presses him to go to New York with her to open another restaurant. Marcus passes until his dad straightens him out about his life.

The film was well paced and not once, did it lag. The comedic moments were sprinkled throughout the movie, and these specific moments were not sight gags, but natural human moments to which the audience can relate.

Wong was excellent as Sasha. She was both sparklingly funny and sensitive. Loved that her character wasn’t going to sacrifice her love of her work. Kim was terrific as Marcus. Although, I didn’t think the transition from interesting young man to a basic recluse after his mother’s death was well understood or presented. However, his song about punching Keanu was delightful and a highlight. Saito as Marcus’ dad was outstanding. As the film went on, his wisdom grew, as did his presence in the movie. Buteau, as Sasha’s assistant, was lightheartedly enjoyable. Her role really worked at moving the story and film along. Reeves, as himself, was funny as all get out. He did all the things we might expect a self-important star might unabashedly do. Michael Golamco and Randall Park wrote a well-blended script of comedy and romance. Nahnatchka Khan did a great job of keeping this film focused, funny and poignant.

Overall: This film was fun, lighthearted and very entertaining.

Ant-Man and the Wasp

First Hit: It’s been a long time since a Marvel film brought joy, fun, and a story that worked—this one did.

I’ve really struggled watching Marvel films of comic book heroes. Most of the more recent Marvel films put these characters into today’s current world or some future world and they must fight some alien power to save the world, or some piece of it.

Here we have fun packed into an engaging story.

Scott Lang aka Ant-Man (Paul Rudd) is under house arrest. He’s got an ankle bracelet and agent Jimmy Woo (Randall Park) keeps coming over to check his ankle bracelet much to the amusement of Lang’s daughter Maggie (Judy Greer).

His former superhero mate Wasp / Hope Van Dyne (Evangeline Lilly) and her father Dr. Hank Pym (Michael Douglas) are attempting to build a machine that will allow them to find Janet Van Dyne / Wasp (Michelle Pfeiffer) who got stuck into a microscopic quantum realm.

Dr. Pym invented the ability to shrink and expand physical forms including people and that is how Ant-Man and Wasp were created. When Janet got lost in the realm, he believed she was still alive. In reaching out from her microscopic quantum realm, she contacts Lang.

Lang, Hope, and Dr. Pym believed they could rescue Janet, so the film is about how they find a way to finish a machine to make the rescue. However, there are opposing forces including Ava Starr / Ghost (Hannah John-Karmen) who needs Janet’s energy to unbecome a ghost. Ghost is supported by a former colleague of Pym, Bill Foster (Laurence Fishburne). Another group trying to get control of the machine Pym is making is Sunny Burch (Walter Goggins), a low level criminal. However, helping Lang is his security firm CEO, Luis (Michael Pena).

Rudd is great in this role. He’s perfect at keeping the humor in this role, while having enough ability to make the role as Ant-Man realistic. Park is hilarious as the agent trying to catch Lang violating parole. Greer was wonderful as Lang’s daughter. Her precocious nature was perfect. Lilly was wonderful as Wasp, Pym’s daughter, and Lang’s old flame. Douglas was fun as Pym. He still carries a bravado that made his earlier films work. Pfeiffer was strong in this limited but pivotal role. John-Karmen was very good as Ghost and one trying to become whole. Fishburne was perfect as Foster. Goggins was good as the lower level mob guy thinking he could make a big score. Pena was fantastic. He carries the humor in this film perfectly. Chris McKenna and Erik Sommers wrote a wonderful film that captured humor, the spirit of superheroes, and had a storyline that was fun and worked. Peyton Reed did an excellent job of putting this story on the screen. I loved seeing San Francisco this way.

Overall: This was a fun film to watch and, in the end, thoroughly enjoyable.

The Interview

First Hit:  Funny enough but the sprinkles of very low-brow bits made it less fun and interesting than it could have been.

Seth Rogen has the ability to make funny films and funny situations. What doesn’t work for me in his films is that he appears to be compelled to make sure he sticks in low-brow dialogue or high-school genre fart jokes and bits that take away from the overall film.

I thought the concept of having Dave Skylark (James Franco) a popular and without a lot of substance television interviewer selected by North Korea’s President Kim Jong-un (Randall Park) to give a once in a lifetime interview was genius. And there are parts of this film that are truly funny and I appreciated those moments. It was just unfortunate that when push came to shove, if Rogan thinks it’s not funny enough he reverts to less intelligent stuff.

Franco at times is really funny and his interviews of Eminem and Joseph Gordon-Levitt were funny and I thoroughly enjoyed him. Rogan as Skylark’s producer Aaron Rappaport as well as writer and co-director was both really good and also misplaced. Lizzy Caplan as CIA Agent Lacey was funny. Park as Kim was really funny and had enough of the "god like" features that helped hold the story together. Diana Bang as Sook who interfaced between Skylark, Rappaport and Kim was really funny. Her bit to overthrow Kim was great. Rogan, Evan Goldberg, and Dan Sterling wrote the story and script which at times was brilliant and other times, sophomoric. Rogan and Goldberg directed this film with both brilliance and stupidity.

Overall:  I enjoyed the film more than not – and that, I suppose, is a good thing.

googleaa391b326d7dfe4f.html