Matthew Heineman

A Private War

First Hit: First Hit: Rosamund Pike (as Marie Colvin) gives a deeply complex performance of a war correspondent who brought personal stories of war victims to the forefront.

War isn’t just about the leaders of countries with idealistic differences and the soldiers of those leaders; it is about the victims of this conflict. Colvin was a committed pioneer in going into conflicts and documenting, in newspaper articles, the stories of the families, wives, mothers and children of wars around the world.

The film begins with her covering the conflict in Homs, Syria, and then segues to some of the previous wars she covered in her career. Sri Lanka is where she lost sight in her left eye. This causes her to begin to wear a black patch that became part of her persona. Then the film takes us on tour with Colvin as she goes to various war zones in the world to see how she covered these wars and how she uncovered her powerful stories.

What we learn is that she was fearless in action although she felt fear. She was incredibly rebellious against authority whether it be the publication she wrote for, or with the leaders she interviewed. Watch her poignant questions to Libya’s Muammar Mohammed Abu Minyar Gaddafi, commonly known as Colonel Gaddafi. An outstanding scene.

Early on in her investigations she had difficulty finding a photographer that would work well with her. Then she happened on Paul Conroy (Jamie Dornan) who became a wonderful companion and friend to Colvin.

As for Colvin’s personal life, we see early on her defensive, reactive nature towards her former husband and people really close to her. She allowed few to get close and preferred to be harsh and flippant to the people who cared about her. She drank heavily (“started drinking at age 15”), and suffered from PTSD. For a short time, she took up residence in a hospital to help her deal and process the horrible events she lived through.

What we don’t get a deep dive on is Marie’s background. I kept wondering why she was so rebellious and reckless with her own life. Not only did she put herself in positions where she could be killed, she smoked incessantly and drank excessively.

However, through all this self-destruction she was able to relate to mothers (although she didn’t have children herself), and families with deep compassion which came out in her writing.

Pike was fantastic. When, in the credits, we hear the real Colvin’s voice, we notice that Pike got her voice perfectly. Dornan was excellent as Colvin’s photographer. It’s nice to see him in a non-villain role. Tom Hollander (playing Sean Ryan) as Colvin’s foreign correspondent boss was excellent. It must have been difficult to manage someone who had such a strong will while looking out for his reporter's health and welfare. Stanley Tucci as Tony Shaw, Colvin’s late in life lover was strong as the guy who accepted Colvin as she was. Corey Johnson (as Norm Coburn) a photographer that was always first one in and last one out of a conflict was fantastic. Nikki Amuka-Bird as Colvin's closest friend Rita Williams was wonderful. She was frankly supportive of Colvin. Marie Brenner wrote a strong script allowing Matthew Heineman to deliver this complex story in an engaging and powerful way.

Overall: I wanted more background about Colvin, yet I was blown away by the depth of the story of her in war zones.

City of Ghosts

First Hit:  A film that can teach the west about Raqqa, it's people and Syria’s fight against ISIS (Daesh).

What we hear about Daesh and their takeover of Raqqa, we learn from our press. Often it isn't quite right, but there is a group that is giving the world a view of what is really going on.

The citizens of Raqqa, an ancient city on the Euphrates River, took to Arab Spring, rallied against Syria’s oppressive President Bashar al-Assad and tore down his statue while declaring their freedom. However, this revolution left an opening for a strong leader to come in and create a new movement that promised a better life. The Islamic State of Iraq and the Levant (Aka: "ISIL", "ISIS" and "Daesh") under Abu Bakr al-Baghdadi’s leadership started controlling Raqqa’s citizens with an Islamic iron fist. The life he promised the citizens failed to manifest.

He controlled the citizens by beheadings, shootings, and starving the citizens Raqqa in mass. This control came swift and hard and took the citizens by surprise. In retaliation, a group was formed called Raqqa Is Being Slaughtered Silently (http://www.raqqa-sl.com/en/). This group, a small handful of anonymous activists, came together to provide information about the cruelty of Daesh to the outside world by leveraging Facebook and other social media. Posting video, still pictures and commentary on the way Daesh is controlling the city via  their cruelty, this group is informing the world.

This film is about those anonymous activists. Although not so anonymous any longer we follow their escape from Syria to Turkey and Germany while their friends and family are being tortured and killed back home. This is a film of bravery and sadness. It is a film about love of country and the struggle for life.

Matthew Heineman superbly directed this story by putting together powerful pieces of video smuggled out of Syria and interviews. The long scenes of watching these activists staring at their screens waiting for the next piece of information to come from home were pointedly powerful. Revolution doesn’t always happen in a moment. but when a moment happens, they review it, edit it, and post it quickly.

Overall:  There are scenes in this film that are difficult and sad to watch, but it through these scenes we gain a needed understanding of this fight.

Cartel Land

First Hit:  An eye-opening timely film about the Mexico United States border drama.

This is a film about two different issues: How the drug cartels in Mexico are taking over towns and intimidating the local citizens. Then there is the story on the Arizona side of the border and how citizens are out there protecting the area from the influx of Mexicans coming across the border illegally.

In the first story citizens want to take back their town by following a group, led by an MD, that is going out and arresting drug cartel members. This story gets worse as the government gets involved and we begin to see how the more things try to change, the more they stay the same. In the other part of the story, a vet who turned his own life around believes, with this friends, that he is saving the USA from influx of drugs and illegals coming across the border. He does his best to work with the US government but in reality he’s out there doing this thing. I would have liked more integration of the two stories, or separate the stories and make two films; both are interesting.

Matthew Heineman directed this film and some of the camera work during the raids on cartel personnel was fantastic. There are no holds barred as citizens walk up and hit the captured cartel members.

Overall:  This was a very interesting film reflecting the conflicts below and above the US border.

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