Matt Manfredi

Ride Along 2

First Hit:  Not much of a film and felt forced in all ways.

The upside was seeing Olivia Munn although I sensed she knew this was a stinker of a film.

This retread of a film came off as a throwaway. Kevin Hart as a newly minted, on probation, police officer Ben Barber who is engaged to Angela Payton (Tika Sumpter) that happens to be Detective and fellow officer James Payton’s (Ice Cube) sister.

James doesn’t think much of Barber’s unqualified police and detective skills. Barber doesn’t help his case much because he’s always talking. He is incessantly chattering away about something or nothing.

Not sure if the script had it this way or they just let him loose but it was tiring. With all the noise he was creating it was extremely difficult to hear any good stuff that would make the film funny.

Together Barber and James are off to find a guy who is a drug supplier to a dealer they tried to bust. The investigation takes them to Miami where they meet Munn (as Maya) a detective with the Miami Police Department.

The villain is Antonio Pope (Benjamin Bratt) who is half wise guy and half stupid. His scripted toughness lacked an intelligent storyline for his obvious success.

Therefore, we end up with a stupid insipid story bouncing along hoping that Hart’s jokes and banter will make this film interesting or funny; it was neither.

Hart’s role was one of constant needless jabber. It was almost as if the director and producers hoped he'd talk so much that it would make this film funny or interesting. It didn't. Hart needs to take on roles that have some depth and story behind them and use his quick wordiness more sparingly. In other words quit throwing shit on the wall hoping some sticks. Ice Cube:  I’m always so surprised that I see him in something like this. This was the guy who came Straight Outta Compton? Really, you’re doing mindless drivel like this. Where did your soul go? Sumpter is OK as the engaged girlfriend of Barber’s. She barely rose above the level of the film. Munn was fun to see and she did her best to keep the role focused and on target. The scriptwriters and director let her down. Phil Hay and Matt Manfredi wrote this stupid script that had little direction or focus. As director, Tim Story, never told one.

Overall:  This film was really a follow-up to the first one and showed NO originality or reason for existing.

R.I.P.D.

First Hit:  Just didn’t work.

Nick (Ryan Reynolds) is in love with his wife.

He’s a Boston Police Detective and gets tempted to steal some gold they find on a drug bust. He confronts his partner Hayes (Kevin Bacon) about the “rightness” of this. Hayes doesn’t want Nick to turn in the gold so he shoots his partner. Nick dies but ends up with other dead law enforcement officers who are living in this “other sort of world”.

In charge of this group of these dead officers is Proctor (Mary-Louise Parker). Why does this group of R.I.P.D. officers exist? To fight crime of people who really haven’t died and who attempt to make havoc on the world as it is.

Nick gets assigned to a new partner named Roy (Jeff Bridges) who has such a forced accent that it is nauseating. He was wronged just like Nick so there are here to work together to fight the undead. What makes it even worse is that people in the real world see Nick as a old Asian man and Roy as a voluptuous blond.

This story is such a reach and then to add that Hayes is one of these characters who are collecting enough gold to reign havoc on the world is simply an out-of-bounds reach. It is a stupid story although amusing at times.

Bridges is mediocre in this role and his accent is horrible. Bacon is the most amusing and interesting character in the film – his darkness prevails. Reynolds is stuck between a rock and hard place in this role and my guess he wishes he never took it. Parker is the best part of the film; her tongue in cheek approach was fun. Phil Hay and Matt Manfredi wrote this mindless script and Robert Schwentke directed it, and I’m not sure why.

Overall:  A couple of laughs but overall a real waste of talented actors.

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