Kurt Johnstad

Atomic Blonde

First Hit:  Action filled with Charlize Theron showing strong fighting skills.

Although this film is done in a flashback mode, following the story is not hampered. Although, as the film unfolded and after the end, I wondered how it would have played out if it was done sequentially?

The film begin by showing agent Lorraine Broughton (Theron) being interviewed by her boss Eric Gray (Toby Jones) and CIA department head Emmett Kurzfeld (John Goodman) while Gray’s boss Chief ‘C’ (James Faulkner) watches this behind glass. Lorraine is badly bruised but being sure of her story, she begins telling it.

She starts the interview with talking how she was sent to Berlin to find and obtain “The List” which has been put on microfiche and stored inside a watch. The list has information about each agent in British Intelligence and possibly the CIA, where they are and their possible covers.

Immediately after getting to West Berlin she gets attacked by Russians who what to kill her because they are the ones who are trying to obtain "the list" at all costs. Her contact and co-agent is David Percival (James McAvoy), however, the audience sees that Percival is sabotaging Lorraine’s attempt to obtain the watch (list). The one who put this list together and stored it in a watch has a code name and it’s Spyglass (Eddie Marsan). He’s doing this because he wants to trade giving up the list for freedom to West Berlin.

As the story unfolds and until the end, the audience thinks David is on multiple sides but so is Lorraine, it is just that the audience doesn't know how many she’s on.

Lorraine gets involved in so much fighting, shooting and stabbing that I can only imagine that she was really sore after doing this film.

One of the things I loved about this film was the color mood used to present this film. Everything was muted down from a color perspective. This in honor of being in both West and East Berlin at the time the wall comes down between the two parts of the city.

Theron was amazing in how she used her body and gave the audience a perception that she fights for a living. I loved her character and at times I laughed out loud in the audacity of some of the scenes. McAvoy was strong and his smart-alecky version of the character worked for me. Jones was perfect as Lorraine’s boss. Marsan was very good as the meek Spyglass. Goodman was very good as the CIA connection. Kurt Johnstad wrote an wild and fun screenplay. David Leitch had a clear vision in mind and for me it clearly worked well.

Overall:  It was a fun film and Theron was a joy to watch.

Act of Valor

First Hit:  I could barely sit through this extremely poorly acted vapid film spinning tales that killing for America's version of what is right is admirable.

After the first 2 minutes of dialog, I picked up my water bottle and said to myself, am I willing to do something I’ve never done before – walk out of a film?

My personal practice is, no matter how bad a film is, try to find something in it by which I can hang my hat and stay. I stayed but in the end, probably would have had a better time doing something else.

This is one of the few films, which had nothing of good to note. Not even the technology they were using to locate their next victims was interesting.

The acting was all bad. There wasn’t one good acting scene in this film.

The dialogue was stilted and filled with obvious emotional hooks that were stale beyond belief, and a rampant concept that killing for and dying for America was good, made me sad. Yes, I know I’m not of the majority, but killing, regardless of the reason and who is doing it, is wrong. And making a film that promotes the best killers in our armed forces shows just how unkind, un-thoughtful, and narrow minded we can be.

This isn’t to say I condone any acts of terrorism by any group; I don’t. What I don’t like is that we make our acts honorable and picture theirs as not. Their reality is, they picture their acts as honorable and ours as not.

Who gains in this mindset – no one. Who survives and lives in this mindset – no one. It made me less hopeful for the future to hear some of the audience clap at the end.

The ending scene which promotes how great it will be for a dead man’s new baby coming into the world to never know his dad because he will know that his dead dad died honorably is stupidly mindless.

Having a dead dad will not do a lot of good when the boy needs to learn about right and wrong and how to make these decisions wisely.

None of the acting and actors were any good. Kurt Johnstad wrote a insipid script. Mike McCoy and Scott Waugh directed a uneven lifeless mess.

Overall: Nothing about this film is worthy of a watch.

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