On the Basis of Sex

First Hit: Outstanding and moving film about one of the most inspirational women in United States history – ever.

In May of 2018, I saw and reviewed the documentary “RBG.” It was an amazing factual film about a woman who changed the course of gender equality in the United States.

In this dramatic version, we have Felicity Jones as Ruth Bader Ginsburg providing some of the drama behind the story of one of the most inspirational women to ever practice law in the United States. Today at 85 years old, and a Supreme Court Justice, she is still trailblazing how we look at the law and its impact on gender equality.

When the dean of Harvard Law School Erwin Griswold (Sam Waterston) invites the women who made it into his school, over for dinner at his home, he asks each of them to share why they deserve to take a man’s place at Harvard’s prestigious law school. It is a defining moment in the film to share with the audience how horribly sexist these institutions were towards women. Ginsburg’s answer is divinely dripping of sarcasm that went over Griswold’s head.

Ruth’s husband Martin (Armie Hammer) is also a law student at Harvard focusing on Tax Law. His support of his wife’s journey in law school is wonderful. Unfortunately, he contracts testicle cancer which he has only a 5% chance of beating, and Ruth, showing support, takes his classes and hers so that her husband doesn’t have to drop out of school while he recovers. Using the notes she took from his classes, she teaches Martin what he needs to know to pass his classes. She’s doing the work of two students as well as caretaker and mother.

Being a couple years behind her husband, he graduates and gets a job in a prestigious New York Cit law firm. This leaves Ruth with having to make a choice, raise their daughter alone and continue with law school at Harvard or moved with her husband and finish her schooling at Columbia. She chooses the later.

The film explores the unfairness of being a woman becoming a lawyer in this mostly man’s world. Additionally, it explores how her daughter Jane (Cailee Spaeny) is being affected by the changing culture of the 1960’s. We see how the dynamics of this culture change helped Ruth see the laws that needed changing and she found ways, with the help of Martin, to make her case to a State Supreme Court and to the U.S. Supreme Court.

Some of the scenes were amazingly poetic. Like when Martin hands a tax issue case to Ruth with the proviso, read this and you’ll see where you can make a difference. She did. I loved when Ruth takes Jane to see famed civil rights attorney Dorothy Kenyon (Kathy Bates) and upon walking back out into the streets, how Jane handles the harassing men and gets Ruth and her a cab. There were also a couple great scenes with Ruth and ACLU lead lawyer Mel Wolf (Justin Theroux). Lastly the scene in which she argues in the State Supreme Court for equal rights of a man was very well done.

For me the downsides of the film were, I would have liked Ruth’s first case in the U.S. Supreme court to be part of this film. Also, I found that Felicity’s accent fluctuations to be slightly problematic. Her voice lacked consistency.

On the upside when Jones gets ready to argue the main case at the State’s Supreme Court, she has Ruth’s look and feel down pat. Lastly, I loved the part where we see Ruth (Jones) climbing the steps to the U.S. Supreme Court and then see the real Ruth.

Felicity was very good as Ruth. Despite the accent variations, she brought a strength and character to Ruth and seemed to match the Ruth in the earlier documentary. Hammer was excellent. I loved his kind, thoughtful, and supportive lightheartedness he brought to this role. Spaeny was outstanding. I thought her portrayal of a young woman caught up in the movements of the 1960’s and also wanting to be respectful of her dynamic parents was sublime. I hope to see her in more films. Theroux was far better than I thought he’d be. My surprise is that he often takes sinister roles her here he shows a funny, smart, supportive side. Bates was sublime as with wizened civil rights lawyer who brings respect and a true grass roots feeling to the film. Waterston was excellent as the self-righteous sexist head of Harvard’s Law school. Daniel Stiepleman wrote a wonderful screenplay. Mimi Leder put the right touch on this film.

Overall: I thoroughly enjoyed this film as the first film of the year to see and review.

The Girl on the Train

First Hit:  Although I was appropriately confused at the beginning, the story came together nicely at the end and Blunt’s acting was sublime.

I’ve said this before, I do not read fiction novels because if a film is made from it, I'm generally disappointed. Good books do a great job of creating images and flow inside the reader’s brain. Films from books are versions of the screenwriter's and directors (and sometimes producer’s) internal images. Film is a different medium and therefore telling a story has some limitations but almost unlimited visual options to tell the story. Failures of books I've read that totally disappointed me on the screen are Ayn Rand books and the Harry Potter books. The films based on Rand books were complete dogs. The Potter films failed in more ways than one compared to the books. This book, "The Girl on the Train", must have been enthralling because in 2015 it spent 13 weeks at the top of the national bestseller list. From what I saw in the film, I can see why they liked it. The screenplay by Erin Cressida Wilson seemed very clear about how this story would unfold. Using multiple narrators, the director used captions to push the story back and forth in time, I was fascinated with Rachel’s (Emily Blunt - narrator) unraveling, the back and forth of being drunk and sober and then pulling it together revealing the truth. Rachel was married to Tom (Justin Theroux), she had a drinking problem and he divorced her for Anna (Rebecca Ferguson - narrator). On a daily basis Rachel use to look at her old house, now occupied by her former husband and Anna, from the train window. She also would see a couple whom she thought were the perfect couple a few houses down from her old home. This couple, Scott and Megan (respectively Luke Evans and Haley Bennett – narrator), would appear through the window of the train to always be happy and loving each other. However, the true story about Rachel, Anna, and Megan’s lives would reveal themselves to be different than the Rachel’s drunk, through the train's window, version. A murder happens and it’s up to Detective Riley (Allison Janney) to provide clues and pressure allowing Rachel to discover the truth about herself and what happened.

Blunt was amazingly sublime. She was perfect in her drunk and sober selves. The subtle transitions, movements and actions between these selves was true with my experience of alcohol abuse. I would not be surprised and actually expect her to be nominated for an Oscar. Theroux was good, however the depth to his characters’ intensity and darkness wasn’t fleshed out enough. Ferguson was an interesting character and I really liked how she was able to make her role work and also show more of Theroux’s character. Bennett was strong as a difficult character to like or understand. She did a great job of showing a troubled woman’s fight to open up and be authentic. Evans was very strong as the intense husband who was also an intense controlling type person. Janney was very good in her more minor role as a police detective trying to piece together a murder. Wilson wrote a strong script which appeared to be from a very complex book by Paula Hawkins. Tate Taylor had a very clear vision of what he wanted to see and to keep it paced to have this film work. I could have imagined this film to be really long given the complexity of the plot, but Taylor clearly didn’t want the audience to be bored and trusted that they would piece together the various story pieces he was presenting.

Overall:  This was a complex story and Blunt’s superb acting brought this story together.

Rock of Ages

Initial Hit:  This is a fun and engaging film if you like the music.

This film is about two things: 1980's rock music and Tom Cruise. As Stacee Jaxx, Cruise personifies the 1980s rock star: Full of drink, sex, rock and roll and himself while being totally enjoyable.

The story is about a Sherrie (played by Julianne Hough) who is from the Midwest and comes to Hollywood to make her fame and fortune as a singer (think of the song “Oh Sherrie” by Journey). Hitting LA she gets robbed, meets Drew (played by Diego Boneta) who gets her a job in a famous rock bar as a waitress.

The bar, owned by Dennis and Lonny (played by Alec Baldwin and Russell Brand respectively), is going bankrupt and needs help. Jaxx’s famous band “Arsenal”, who had gotten their start at the bar, agrees to play there for free to help them out.

You've got to love the line by Jaxx’s manager Paul (played by Paul Giamatti), when asked how he got the famously late Stacee to show up to the gig on time; "I told Stacee that the gig was last night".

The music is the star of this film and Cruise’s enactment of a totally self-obsessed 1980’s rocker is dead on.

Cruise is perfect is his posturing, nonsensical thoughts, and having a sidekick named “Hey Man”. Hough is very good as the Sherrie. Boneta is strong as the young man who loves Sherrie and wants to be a rock singer but has to bend to current boy band musical tastes. Baldwin was good as the club owner. Brand was OK as Baldwin’s side-kick. However I didn’t understand why the relationship was portrayed the way it was. I couldn’t figure out what it added to the film. Giamatti was excellent as the sleazy manager. Justin Theroux, Chris D’Arienzo and Allan Loeb wrote a very good script. Adam Shankman directed this with zeal and fun.

Overall: If you enjoy 80’s rock, this film is a must see.

Wanderlust

First Hit:  There are some funny moments but overall this film falls flat.

There is little chemistry, or palpable chemistry, between George (played by Paul Rudd) and Linda (played Jennifer Aniston) in this oddly constructed film.

I found the film odd because each situation they were in was overdone. His brother, his wife and their son were characterizations of people – they weren’t real. The old hippy/or commune situation was a little far fetched as well.

The funniest moments is when George is getting ready to have sex with Eva (played by Malin Akerman) and he was practicing his conversation in front of a mirror. What was coming out of his mouth was embarrassingly funny, crude yet very humorous.

The storyline is that George works at a Wall Street financial company while Linda tries different things to find herself and to make money but she strikes out often. They buy a small studio ("No it's a mini loft”) apartment near his favorite coffee house.

Shortly after her latest attempt to sell a film concept to HBO fails and he loses his job, they have to sell the apartment they just bought for a loss. They decide to go visit his brother in Atlanta. On the way they spend a night at a commune that offers a different way of life.

This film is about their decision to try something new and to more fully find each other. Nevertheless despite the good idea, this films writing, direction and acting was sub-par.

Rudd was at his best in front of the mirror attempting to get his courage up to make love with another woman. Aniston didn’t seem to connect to or even belong in the film. It just wasn’t the right vehicle for her. Justin Theroux as Seth the community leader was certainly nothing to write home about and his see through philosophy had little grounding in anything. The only time there was some hint that he was connected to a larger universe was when he played guitar but then again any good guitarist could have play it that way. Joe Lo Truglio as Wayne spent most of his time naked, but was pretty good as this annoying person who was on his own track in the community. Alan Alda as Carvin the person who founded this commune back in 1971 was at times winkingly cute. David Wain and Ken Marino wrote this marginally adequate script but Wain wrecked the good parts with less than crisp direction.

Overall:  This film would barely make entertainment on a late Sunday afternoon on DVD or Netflix.