Shaft

First Hit: Simply, this is Samuel L. Jackson’s film through and through.

It’s hard to take this film seriously, and it is seriously fun to watch. Jackson, as John Shaft, is still the king of the neighborhood, has a stern attitude, and rollicks through this story taking full ownership.

This story begins when he and his wife Maya Babanikos (Regina Hall) are arguing in their car. JJ Shaft (Jessie T. Usher), their baby, is in the back seat. As usual, where Shaft is, there is trouble, and a shootout will more than likely commence.

Maya has had enough and, with JJ in tow, leaves Shaft and tells him to stay away forever. The film rolls through the years quickly, with funny vignettes showing the birthday presents Shaft sends JJ (box of rubbers on JJ’s 10th).

In current time JJ is now an FBI data analyst, and he stumbles on to a possible crime because his best friend, Karim Hassan (Avan Jogia) dies of what the police say is an overdose.

At work, he doesn’t get assigned to the FBI probe into the local mosque, although he’s an outstanding analyst, and he thinks Karin was involved in the mosque’s activities.

He locates and waltzes into his dad’s office, looking for some help in finding what really went on in Hassan’s death. Meeting for the first time in twenty plus years, the reunion is filled with John Shaft ego and bragging moments and advice that is contrary to JJ’s beliefs. This is the moment when the audience knows we’re going on a Samuel L. Jackson E-Ticket (for those who remember Disneyland long ago) wild ride.

Going to visit Manny (Ian Casselberry) the local Bronx heroin dealer, they run roughshod, over his group of thugs. And here is where JJ starts to re-think that his passiveness and begins to see some value in his dad’s way of resolving problems.

Some of the amusing parts of the film include JJ’s attempts to share his romantic interest for his longtime friend Sasha Arias (Alexandra Shipp). When John Shaft first meets Sasha, when she pulls a gun out of her purse at a restaurant, and how she dreamily looks at JJ when he jumps into action during a dinner they have.

The story goes on, and eventually, we get introduced to John Shaft Sr. (Richard Roundtree), and this completes the cycle. The original Shaft, the current Shaft, and the upcoming Shaft.

Don’t go to this film if you are looking to watch a serious movie. This film is tongue-in-cheek, and it’s fun.

Jackson is this film. He’s the reason you laugh and are engaged in the story because you wonder what he’ll do next. Hall is excellent as Shaft’s estranged wife. Her quips about Shaft’s focus are hilarious. Usher is wonderful as the passive smart FBI agent who finds his roots through meeting his father. Shipp is excellent as JJ’s friend and later girlfriend. Her shift in attitude towards Shaft’s lifestyle was subtle and fun. Roundtree was great to see, and as a reminder of the original song and film, I smiled. Kenya Barris and Alex Barnow wrote an entertaining active script. Tim Story knew that he needed to let Jackson run roughshod over this film because Samuel will make it work, he always does.

Overall: If you’re looking for action entertainment and don’t mind a lot of swearing, this is a film for you.

Independence Day: Resurgence 3D

First Hit:  Could not buy into the story let alone the characters.

Leaving well enough alone is appropriate more often than not. The first film was far more interesting and entertaining.

Here we have a rehash of the same old story embellished with stale lines of bravery being spit out left and right. Jeff Goldblum (as David Levinson) is a key character and has become the headmaster of tongue in cheek dialogue. then there is the rebellious hero, Liam Hemsworth (as a risk taking reckless pilot named Jake Morrison), who makes good on his bad-boy image.

We also have the previous film's hero, Dylan Hiller (Jessie T. Usher) who has to figure out how to forgive Jake so they can work together again. The basic story is that the alien invaders, who were defeated by earthlings years ago, didn’t like it so they came back to suck earth’s molten core thereby destroying it.

Because their weapons are far superior to ours we stand no chance. However, our willingness to fight and will to survive, gives us a way to figure out how to defend our planet. This is an old boring story and, as I said earlier, the producers needed to leave well enough alone and not destroy and create distaste about the brand.

I will not comment on individual performances – it isn’t worth the time. Nicolas Wright and James A. Woods wrote a very tired, uninteresting, and a retread of a story. Roland Emmerich directed this the best he could – it just was more about creating big scenes of bravery and little about people.

Overall:  This film was clearly done to capitalize on the first film and the Fourth of July date the USA celebrates their independence.

When the Game Stands Tall

First Hit:  Enjoyed this dramatization of a real life story about brotherhood and sport.

Having lived in the bay area for nearly 40 years I’m aware of De La Salle and their Spartan Football team. I was aware of “The Streak” and when it got broken.

However, as the film works hard at doing, the point is not about winning football games, it is about showing and living up to the promise you make to yourself and your teammates. Bob Ladouceur (Jim Caviezel) or “Coach Lad” as the team called him, focuses on using football as a vehicle for people to sign up for commitments to themselves and others.

They have to openly share their commitments with their teammates – this makes the commitment more powerful. This film shares all this in many ways; through the story of brotherhood between T.K. Kelly and Cam Colvin (Stephan James and Ser’Darius Blain - respectively).  

Then there is the story of Coach Lad’s son Danny (Matthew Daddario) attempting to find his relationship with his dad. There is Tayshon Lanear (Jessie T. Usher) learning that it is about the team and not him. Lastly, it is about a son living his dream not his father’s as represented by Chris Ryan (Alexander Ludwig) and his Dad Mickey (Clancy Brown).

There were liberties (like Chris Ryan’s going for a record) in the story and the main point is/was simple:  Show up, stand by your brother and learn to become an honorable man in our society.

Caviezel captured the quiet, focused, driven and caring coach and mentor. What Caviezel did was to make the film about the philosophy and not his performance. Michael Chiklis as Terry Edison (Assistant coach and friend of Ladouceur) was very strong. James and Blain were great as life long friends reaching for their dream. Daddario did a really good job of being the son of a father that really has many sons. Usher was strong as the ego driven talent that was willing to learn. Ludwig was really good as the son who needed to become his own man. Brown overdid the strong overbearing father role but it did make the point. Scott Marshall Smith wrote a really good screenplay bringing out the essence of Ladouceur’s lessons. Thomas Carter directed this film and I liked the use of real footage (beginning and in the credits) to bring this closer to life. I did think Mickey Ryan’s character was overdone and this was a directing issue more than an acting issue.

Overall:  I hope that many team sport coaches see this film and gain some insight that success is more than a “rah rah kill them” attitude.