Novitiate

First Hit:  It was very well acted and I learned something about how nuns become nuns.

I was fully engaged with this film from beginning to end. What made this work was the story, direction and acting.

Nora Harris (Julianne Nicholson) and her daughter Cathleen (Margaret Qualley) are living alone. Nora is divorced and dates frequently and they are not religious. One Sunday she takes Cathleen to church to show her what religion is like. Nora does not believe in God or any structured religion. But something happens to Cathleen that day and after getting a scholarship to a Catholic high school, she becomes more curious about her continuing thoughts of God and Jesus. After graduation, decides to join a convent because she’s had a calling. Once there she quickly decides and commits to the process of becoming a nun.

Reverend Mother (Melissa Leo) has a very strict code of conduct and she’s exactly what you’d think of if you ever thought of a Reverend Mother being mean spirited, controlling, closed minded and fully believing she’s very self-righteous and speaks the word of God. The first six months Cathleen and the others learn about becoming a nun. Besides the very strict rules and program, and silence is observed from last bell (about 9:00 pm) till morning but the nuns in training find ways to communicate some.

A few of the new sisters begin to discover their sexuality and because it is not accepted behavior and against the scriptures, they struggle with what they’ve discovered about their bodies and the rules of being a nun.

After the initiation, the novices Novitiate, which means they marry the one they love—God. This ceremony was wonderfully staged and enlightening. I found myself fascinated with the whole thing.

When Cathleen wakes up from a very erotic dream, she becomes panicked and begins to starve herself for punishment. She also asks Reverend Mother for the knotted rope whip to self flagellate herself to make her stop thinking about sex and the feelings coming from it. She then meets Sister Emanuel (Rebecca Dayan) who arrives at this particular monastery because she wants the strictness Reverend Mother provides. We soon learn that she’s here to punish herself, through this strictness, because of the same sexual discovery at her previous monastery.

In the meantime, Reverend Mother is getting the Vatican II directives, which are communications from the Rome telling her that the church is changing and that her world is going to crumble and fall apart from these changes.

Watching Reverend Mother’s unholy behavior about implementing the rules wasn’t surprising because, for her, she was in control and in a vaunted position, and her world was about to be dismantled.

In the closing credits, the film talks about how many nuns walked away from the monasteries during the Vatican II changes. It was in excess of 90,000,  a huge number.

Dianna Agron as Sister Mary Grace was excellent as a nun that found she had to do something different. Nicholson was amazing as Cathleen’s mother. Her concern for her daughter’s welfare, especially as she lost weight, was perfect. Leo was sublime. She embodied the structure and closed mindedness of being a Reverend Mother who found her niche and didn’t have any other skills. Qualley was divine. She perfectly embodied the role of a young woman searching and believing she found her calling. Dayan was wonderful as the struggling nun, who really tried to push away her sexuality. Margaret Betts wrote and directed this film with a clear firm idea of what she wanted. I fully was transported in this film to another place, learned something and thought the storyline was excellent.

Overall: This fill will probably not be seen by a large number of people and it’s a shame because it is a really good film.

The Family

  First Hit:  There were amusing moments but it was more of a drama than dark comedy and in this realm it was unexceptional.

Frank Blake (AKA Giovanni Manzoni played by Robert De Niro) is hiding out in France with his family; wife Maggie Blake (Michelle Pfeiffer), daughter Belle Blake (Dianna Agron) and son Warren Blake (John D’Leo). Blake/Manzoni is hiding out in France because he’s in a witness protection program headed by Robert Stansfield (Tommy Lee Jones).

His whole family cannot seem to hide out innocuously therefore Stansfeld has been moving them every 60 days. They just can't seem to stop causing trouble and bring attention to themselves wherever they move. Because Manzoni ratted on another Mafia boss thereby sending him to prison, he and his family are the active targets for assassination by the boss’s henchmen.

Where this film is fun and interesting is when either child is leading the scene or when Maggie is working her magic. Maggie gets pissed that a French store owner demeans her behind her back, so she blows up the store. Daughter Belle brutally takes care of French boys who have no manners, while son Warren sizes up everything and everyone and then arranges things to his advantage.

This is where the comedy comes and then goes. Maggie’s attitude toward each scene, showing her softer side or her hard New York City wasp side is fabulous. When the kids come together to save the family, the action part of this film comes together.

De Niro, although the primary male role, didn’t steal this film, his family did. Pfeiffer was fabulous. Her accent, attitude and actions were fully engaging and kept me interested in her scenes. Agron was really great. I enjoyed her strength and softness and felt she did a great job of embodying them. D’Leo was very strong as the young son who has embodied his dad’s wiliness, street smarts and the ability to put two and two together quickly. Jones seemed tired and uninterested in this role. Luc Besson and Michael Caleo wrote a confused script. If it was to be more of a black comedy, they needed more humor, if they were going strictly action, they needed better setups. Luc Besson directed this without a clear focus of the type/genre it was to be.

Overall:  Although the film didn’t really know its focus, many of the scenes were very enjoyable.

I Am Number Four

First Hit: The beginning was mediocre but it picked up quickly and became a very entertaining film.

In the first 10 minutes I thought this was going to be a waste of my time. I’m not sure about the initial sequences but they weren’t a good setup for the rest of the film.

However, the rest of this story worked out and only because the actors were good and they wanted the characters to be as real as possible. John (played by Alex Pettyfer), who is Number Four, is one of 9 aliens sent to earth by his planet to save their planet’s species.

His home planet was invaded by Mogodorians who destroyed his planet’s inhabitants. They are out to find and destroy the 9 who were sent to earth. Each of the 9 has a guardian who assists them from being found by the Mogodorians. Numbers One, Two, and Three are dead and now they are after Number Four.

He is discovered to be an alien by a couple of kids his own age as the Mogodorians are closing in to kill him. At the same time Number 6 (played by Teresa Palmer) comes on to the scene to assist in killing the Mogodorians who have found Number Four.

The ending leaves it possible for there to be multiple follow-up films.

Pettyfer made this film work for me because he came across as thoughtful and made his character as honest as he could. Palmer was fun. Dianna Agron played Sarah an earthling John falls in love with. She was very good and held her own in keeping this film as solid as possible. Callan McAuliffe was wonderful as the odd earthling boy who figured out something was odd about John. Timothy Olyphant was good as John’s protector. Alfred Gough and Miles Millar wrote a really good screen play except for the initial 10 – 15 minutes. D.J. Caruso directed this sci-fi fantasy in a clear story like way.

Overall: I was surprised by how this film grew on me.