Serenity

First Hit: As a thriller it was average, but as the characters begin to question everything and reaching the end of their roles or usefulness, it became more obvious about how this story was unfolding.

The film starts with Baker Dill (Matthew McConaughey) fishing on his boat Serenity based at Plymouth Island. He, his vessel, and his deckhand Duke (Djimon Hounsou) were chartered by two drunk guys who want Dill and Duke to help them catch fish.

However, they hook up “The Big One,” Dill takes over the pole and attempts to reel in “The Big One.” They get it close to the boat but end up losing the fish. The charter guests are pissed because they didn’t get to catch the fish themselves. Dill is obsessed with catching “The Big One.”

There is a strangeness to the way Duke talks with Dill, and it is even stranger when Dill visits Constance (Diane Lane) for a quick roll in the hay, and then she pays him. Then she asks about her cat.

Dill needs money, and he thinks Duke is terrible luck, so he fires Duke. Dill then starts fishing alone for sailfish at night and trying to catch “The Big One” during the day. Although he’s successful with the night fishing, he’s not making any progress on his real goal, to catch “The Big One.”

One day Karen Zariakas (Anne Hathaway) shows up, and we learn she is his ex-wife and that the son he had with her, Patrick (Rafael Sayegh) is the same boy Dill telepathically communicates with and the audience has gotten a glimpse constantly typing at a computer in some unknown spot.

Karen wants to give Dill (AKA John to her) 10m dollars cash if he kills her current husband, Frank (Jason Clarke) who beats her and Patrick. Dill refuses and Duke continue to reminds Dill about following the righteous path of the Lord. Karen says her husband is coming to this remote island anyway and that she’s arranged for Dill to take Frank out on a charter. She hopes that Dill will get Frank drunk and toss him overboard and let the sharks eat him.

This is the set up for the film’s story, and it takes a while for it to gel.

In the meantime, there are plenty of hints for the audience about the surrealism of this story. These hints include the bar tender’s actions and words, the silent old man sitting at the table in the bar, the fishing store proprietor always saying everyone knows everything about everybody, Constance and the way she acts, and a new character who sells electronic fish finders, Reid Miller (Jeremy Strong). These hints include oddly controlled dialogue, references to being on this island and nowhere near a mainland, Reid walking around in a suit, the traffic light dance Dill does every morning, and The Doc (an unknown or seen character).

I enjoyed parts of the film with out-loud laughter, but I was the only one laughing in the theater maybe because I was the only one who figured it out or everyone else was bored. I liked that I felt the boy’s intensity when the film showed his eyes against the computer screen full of code.

McConaughey brought his standard look and feel to the role. It wasn’t anything unique. Hathaway was OK. The scenes where she succumbs to her husband's demands were intense, but other times her performance didn’t carry the power it needed to. Lane had a small, yet pivotal role and was good. Clarke was well suited to the part of cruel husband and general jerk. Strong had an interesting character because he seemed so out of place, and I didn’t get why he was in the story although he was a great sounding board for Dill. Sayegh was outstanding by expressing his intent through his eyes as we saw them on the computer screen. Hounsou was terrific as the good angel in the film, trying to keep McConaughey on course. Steven Knight wrote and directed this film. I can see why he got the talent he got to star in this film, but somehow the execution or the lack of additional depth in the story made it only mediocre.

Overall: The film has its moments, but somehow it doesn’t quite add up to the film it could have been.

Mark Felt: The Man Who Brought Down the White House

First Hit: I loved learning more about Mr. Felt because he helped the country from the deceit of a corrupt and lying President.

Mark Felt (Liam Neeson) was a career FBI man. Thirty years he’d worked for the agency as Deputy Assistant to the Director, Herbert Hoover. As Hoover’s right hand man, he saw all the secrets the FBI collected about people.

During the Nixon administration, Nixon feared losing the next election more than anything, therefore he authorized the break-in of the Democratic Headquarters in the Watergate building. When Hoover dies, the White House installs L. Patrick Gray (Marton Csokas)  to run the FBI. He’s a shill for the White House and this infuriates Felt.

The FBI had a history of being separate from the White House and Congress. They held up the rule of law and, as much as possible, were apolitical.

When it appeared that Felt wasn’t going to be made the permanent FBI director, his wife Audrey (Diane Lane) becomes clearly disappointed because, as she explains, set aside her whole life for him and this opportunity and it won’t happen.

As he learns that the Watergate break-in is being buried and covered up, Mark’s patriotic side decides he cannot live with our country being told deceitful lies and telephones the Washington Post with information only he and few others know. One of the things he ensures is that he’s not the only one that knows the information he passes on to the reporters. He becomes, as they name him, Deep Throat.

The film is mostly shot with a dark undertone in its color reflecting the darkness of the times. To add to this darkness, we learn that his daughter Joan (Malika Monroe) walked away from her home never to be heard from again. We never learn why but we know that her mother Audrey wasn’t emotionally available to her.

Neeson is brilliant as Felt. His ability to be emotionlessness towards his work and protect the United States from the corruption in the Presidency was perfect. Lane was excellent as the woman who gave up her life for her husband’s and knew nothing about nurturing her child. Csokas was good as acting FBI director Gray, a man beholding to the president. Peter Landesman wrote and directed this film. I loved the integration of real film footage of the times with this film; it worked very well. The dialogue was wonderfully constructed to create suspense and historical interpretation.

Overall: The film also gave me hope that someone will expose the deceitful ways of our current President.

Trumbo

First Hit:  Although I didn’t like the main character much, this was an excellent well executed film.

This is one of a few new films that reach back into the 1950’s and the cold war with Russia. All of them, including this one, are very good.

This movie is about how Congress, more specifically a few Republican members, decided to railroad anyone in Hollywood that was connected with the Communist party. The fear based thought of these politico was a reminder of some of the fear based thought we have today in the Republican candidates.

The film doesn’t focus on Communism or anything other than people sticking up for their beliefs under the rules set forth in the Constitution and Bill of Rights in the United States. This is the heart of the story and how a group of writers, led by Trumbo (Bryan Cranston), were blacklisted from writing Hollywood scripts and therefore making a living because they were Communists.

Famous Hollywood gossip columnist Hedda Hopper (Helen Mirren) was a major source for identifying Hollywood folks who had communist leanings. When actors and sympathizers like Edward G. Robinson (Michael Stuhlbarg) couldn’t find work, they named names as well.

Led by John (Duke) Wayne (Davis James Elliot), a group of Hollywood stars jumped on the Congressional band wagon and supported rooting out and keeping Communists from getting work. Trumbo’s family suffered and did everything he could to keep his family with a roof over their head.

He also helped his writer comrades as well. But of course it was hard and it hurt his relationships with his wife Cleo (Diane Lane), family, and especially his admiring daughter Niki (Madison Wolfe and Elle Fanning). On his side was B level film producer Frank King (John Goodman) and fellow writer Arlen Hird (Louis C.K.).

Bryan Cranston was very good. He embraced this character fully and made it work very well. Mirren was fantastic as Hopper – very believable. Davis James Elliot was very good as John Wayne. He embraced the man I ran into once in Newport Center coming out of a bookstore. Stuhlbarg was fair as Robinson however, my history of watching the real Edward G. on film this performance didn’t quite match up. Lane as Trumbo’s wife was perfect: Strong, intelligent and also devoted with perseverance. Both Wolfe and Fanning were great as daughter Niki. Extra kudos to Fanning as she showed once again how to command the screen and scene when needed. Goodman was very good as B film producer King. C.K. was very strong as blacklisted writer Hird. John McNamara wrote a very strong script. Jay Roach did a great job of piecing together real historical footage and filmed footage.

Overall:  This was a valuable story and came through the lens elegantly.

Man of Steel

First Hit:  By the last 45 minutes I got bored stiff with the relentless ill conceive battles.

A little over a week ago I was watching the “Colbert Report” and he posed a question to the director (Zack Snyder) of this film: Why did you forgo the red trunks this character has always worn? Snyder’s response was we wanted to make this film more realistic. Really?

Make a film more realistic about a man who flies faster than a speeding bullet, leaps tall buildings in a single bound, and more powerful than a locomotive, realistic? I will say that Snyder did do a good job of making Clark Kent / Kal-El (AKA: Superman) (played by James Cavill) somewhat human as we go from his childhood to adulthood. It is when we get to his having to fight General Zod (Michael Shannon) his home planet Krypton for his and earth’s survival that it loses steam.

Be prepared to spend 40 – 60 minutes watching an ill-conceived battle. It is a wasteful use of CGI and my time. Superman is about helping individuals in trouble on earth, not fighting some alien invasion.

Cavill as Superman is good. There is some depth in his character but made to spend all his time fighting Zod. Amy Adams playing Lois Lane is wonderful. I really like her. Shannon was very good as Zod but unfortunately his role was too large. Diane Lane and Kevin Costner play Clark Kent’s earthling parents and they were very good – grounded. Russell Crowe as Jor-El (Superman’s father) was overplayed. The only reason we saw so much of Jor-El was because he was Zod's arch enemy and I'm sure they felt required to beef up the role for Crowe. David S. Goyer wrote an overly long battle driven script. Snyder wasn’t able to make Clark Kent both human (he did this better) and savior. He made this film about fighting Zod – so what.

Overall:  Wasted my time despite some wonderful moments.

Secretariat

First Hit: A predictable, well shot, feel good film.

In some ways it is unfortunate that I followed Secretariat’s success when it actually happened in 1973.

My in-laws always traveled to the Kentucky Derby as they were from that state and liked the whole extravaganza of the Derby.

Watching television that day I watched as Secretariat came from behind and won the race in record time. The newspaper write ups kept me interested enough to watch the subsequent two races in the Triple Crown.

This Disney production brought back those memories in spades. However knowing the story made the film lack suspensefulness for me, yet there were enough audience members who didn't know the story which created an energy in the theater that was fun to feel.

Diane Lane playing the owner Penny Chenery, John Malkovich playing unlucky trainer Lucien Laurin, Nelsan Ellis as stableman Eddie Sweat, and Otto Thorwarth as jockey Ron Turcotte made a wonderful team around this amazing horse.

This is a story about a horse being allowed to run and a woman learning about her internal strength and perseverance. The best shot of the film is the rounding of the far turn at the Belmont.

The film goes silent and camera points down the inside rail from the finish line towards the end of the turn home. There is nothing, a camera shows the faces of the race watchers, you wonder, but it is just the moment before each of them realize they are seeing perfection.

The perfection of a horse running the race of our lives and as the horse rounds the home turn the sound comes back in and we are now all in concert with the beauty of this moment.

Lane is wonderful as Penny Chenery and clearly holds the screen when the horse wasn’t the central focus. Malkovich was funny and strong as the unlucky trainer who had great horses before Secretariat but they seem to lose the big races. Ellis as the stableman was perfect in showing his internal love and belief in the horse. Thorwarth was great as the Turcotte the jockey who knew how to communicate and let this house run. Mike Rich wrote a solid and predictable script. Randall Wallace did a great job of mixing drama with the drama and beauty of a horse running.

Overall: Regardless if you saw the event when it happened, it is wonderful to relive the moment once again.