First Hit: At times, hilarious, but also a surprising true and touching story about the birth of rap by a man who just kept trying to be famous.
More than anything, Rudy Ray Moore (Eddie Murphy) wanted to be famous. He would like to stand on a stage, be admired, be seen, and create laughter.
An opening scene shows him being allowed a few minutes on a small local club stage, introducing other acts. He tries to be engaging and funny, but the audience ignores him.
We learn that he’s already tried his luck at singing and even got his aunt to finance the production of a record that didn’t sell.
There’s a delightful scene with Rudy trying to convince a DJ Roj (Snoop Dogg) into playing cuts from his record, and all Snoop keeps saying is that “this old shit ain’t any good and I ain’t playin it because it ain’t hip, man.”
Then he gets an idea after listening to a homeless man speak about a comedic character called Dolemite, who tells rude rhyming jokes. He works on developing this character named Dolemite, and watching him grow the role, we begin to see the comedic genius of Murphy and this character, Dolemite. I really enjoyed these scenes.
Thinking he’s got it down, he convinces the small night club owner he MC’s for to let him do five minutes of his new Dolemite act, and to everyone’s amazement, he’s funny as hell. Dolemite is a hit.
Scraping together some cash, he makes a comedy record in his home with friends as his audience. Selling the record from the trunk of his car, he makes a good number of sales, and soon the album is selling everywhere.
A record company picks it up, and now Rudy begins promoting the record in the Deep South, where Dolemite and this record is a hit. In one club, he comes across Lady Reed (Da’Vine Joy Randolph) whom Rudy Ray thinks is funny. Inviting her to join him on stage and on his tour, together, they are amazing and also develop a great friendship and trust for each other.
At one of the stops, they watch a film called “The Front Page” and his mind starts working again. If he could be filmed, he could really spread the Dolemite character to lots of people everywhere. Taking this idea to a film company, they decline, thinking that creating a Dolemite film will be a bad investment. Not to be deterred, he mortgages his future record earnings, and he gets a crew together to write and make a Dolemite film.
The film he makes is one of the first kung-fu-themed Blaxploitation movies ever made. Watching them make the flick is hilarious as they really do some silly things. The director is disgusted by the way the film is being made. The lack of good acting and the scenes are absurd. At the end of filming, the director walks out and states that this film will never show anywhere.
But the irrepressible Rudy Ray (AKA Dolemite) finds a way to get the film shown at a high risk to his financial wherewithal.
Murphy was solid as Dolemite. It’s been a while since I’ve seen an Eddie Murphy film, and this story fits his engaging enthusiastic personality. Dogg was slick as Roj, the DJ. Randolph was outstanding as Lady Reed, a woman who just needed to be seen and supported. Scott Alexander and Larry Karaszewski wrote a hilarious script and also had depth. Craig Brewer did an excellent job of directing this story into a cohesive story about a true legend of today’s rap scene and Blaxploitation films.
Overall: I relaxed and had fun watching this film.