Whiskey Tango Foxtrot

First Hit:  Although uneven in its execution, I liked the resulting story as a whole.

WTF has an appeal in a couple of ways. The title was interesting because it is what Kim Baker (Tina Fey) felt about her life. She was in an uninspired relationship with her boyfriend, her news reporting job is as tenuous as it is monotonous and she realized that she was sleepwalking through life. She’s given a chance to go to Afghanistan to report on a fading war.

The news focus is on Iraq and the US has troops in Afghanistan and her network wants someone there to get and report on the best news nuggets available. Kim decides to take the leap and almost immediately she regrets the choice. However, as you’d expect, she finds her sea legs and starts to dig for stories and eventually lands an excellent one by being embedded in one of General Hollanek’s (Billy Bob Thornton) units.

Unfortunately, we see Kim fall into the partying ways of her peers with no understanding as to why. Her friendship with Tanya Vanderpoel (Margot Robbie), one of the few other women in compound, seemed shallow.

The script attempted to make these two be good friends, but there was something palpable missing. Labeled as a "Comedy", there was very little that is funny about this film which added to the unevenness.

The notable components for me were:  The outstanding performance of Christopher Abbott as Fahim Ahmadzai, who was Baker’s interpreter. He really embodied a sweetness and intelligence of the culture and his performance stayed with me long after the credits. When Kim spoke with a group of Afghani village women only to find out that they were destroying the wells was another really good scene. However, there seemed little depth to Baker and this did drag the film down and made for some scenes that could have been cut.

The ending scenes, however, brought the film back together. Her meeting with Specialist Coughlin (Evan Jonigkeit) at his ranch was very heartfelt as was her bringing Iain MacKelpie (Martin Freeman), a lover from Afghanistan, on to her Washington news program.

Fey was uneven in her performance and I never really bought that she bought into the character. There seemed to be a slight disconnect at times. Other times her interpretation of the character worked well enough. Abbott was phenomenal, I so loved his character. His eyes said it all. Robbie was OK, but almost out of place based on her character and the situation. Freeman was strong as the guy who found a home in being a photographer in a war torn country. Thornton was perfect as the Marine General who was a sarcastic, tough, and compassionate leader. Jonigkeit was excellent as the Marine who suffered and grew from the experience. Alfred Molina as Ali Massoud Sadiq was another bright spot in the film. Robert Carlock and Kim Barker wrote the screenplay based on Barker’s account of being in Afghanistan. Glenn Ficarra and John Requa directed the film and as I’ve learned; when there is more than one director the chances of unevenness are more available and pronounced.

Overall:  Through the unevenness the ending and a few other great scenes made it work well enough.

Our Brand Is Crisis

First Hit:  With our own elections on the horizon, Sandra Bullock carries this film with an air believability and truth although, at times, it is a lackluster film.

This story is about political strategists and how they ply their wares. I’ve no idea whether how much truth there is in the underhanded way they operate but given what gets displayed in our US elections, it isn’t too far of a stretch to imagine people behind the candidates doing battle in this way.

Here Jane (Calamity Jane) as played by Bullock has been through the ringer. She has had some wins but had one huge loss because of the meanness of one of her opponents’ strategist, Pat Candy (Billy Bob Thornton). Candy is running a Bolivian presidential campaign for Rivera (Louis Arcella) and Ben (Anthony Mackie) and Nell (Ann Dowd) bring Jane out of retirement to beat Candy at his own game.

They want her to be the strategist for his opponent Castillo (Joaquim de Almeida) who has numerous flaws – including integrity. There are lots of scenes where the brooding Jane is thinking about the next thing to do, but when she coalesces the idea, she barks it out and everyone pays attention. It is in those scenes that had Bullock make the film interesting.

The film’s other fireworks (about 5 of them) are when Candy drops in, unscheduled, to speak with Jane. Bullock’s slow seething on Candy’s words are great. The other part of the film I was drawn to were the scenes of Sucre (capital of Bolivia). Not sure if they actually shot there, but the feel of the street scenes were very strong.

Bullock is the strongest part of the film. She makes her scenes interesting and compelling. Thornton is very good as the protagonist strategist. His snarky nature mixed with intelligence makes his character perfect for the role. Mackie is OK as is Dowd. Almeida is strong as marginally caring for the people and mostly caring that he wins the Presidency. Zoe Kazan as LeBlanc the ultimate information finder was wonderful. Peter Straughan wrote a good screen play. David Gordon Green had some directing highlights, (the debate, protest rallies, and scenes with Jane in the campaign headquarters room), but overall it didn’t feel held together as a strong story of which this could have been.

Overall:  This was less than the sum of its parts, but worthy of watching.

Entourage

First Hit:  Although billed as a comedy it was more like a drama that wasn’t that good nor was it very funny.

I’ve never seen the television series that this film was taken from – probably a good thing. I didn’t find it funny as it may be mimicking Hollywood studio decision making all too closely.

In this story, you never see anyone do any work on the film, so we’ve no idea how well it got made and if the team spent the money wisely, which is what the plot is all about – they need more money. The Entourage is made of Eric (Kevin Connolly), Vince (Adrian Grenier), Johnny Drama (Kevin Dillon) and Turtle (Jerry Ferrara).

They are working with/for Ari Gold (Jeremy Piven) who decides to take an offer to become studio head and his first film in his new role is one which he wants Eric to star. Eric is all in except he wants to direct the film as well. The plot takes a Hollywood and stupid turn when the movie almost doesn’t get released because of Travis McCredle’s (Haley Joel Osment) jealousness of Eric’s relationship with a girl he likes. Travis’s dad, Larson (Billy Bob Thornton) is the one putting up the cash for the film but listens to his son review of the initial showing. Sound like a stupid plot? Possibly, but it may have more base in Hollywood reality than we might think. There are lots of side stories that give credence to cameos by lots of famous people.

Connolly is OK as the main character. Nothing outstanding in his performance. Grenier, Dillon, and Ferrara are, at times, fun to watch as their own dramas' play out. Piven is the best part of this film as he fights his anger over Hollywood stupidity and his own ego. Osment was fun to see again and he made something of his character. Thornton slid through this small role. Doug Ellin and Rob Weiss wrote this rather predictable and uninteresting story. Ellin’s direction was better than the script and some of the cuts to the multiple stories being juggled were well done.

Overall:  A few laughs, the drama wasn’t dramatic enough, and in the end it didn’t have much to offer.

The Judge

First Hit:  A very good film and it could have been better.

Having Robert Downey Jr. (as Hank Palmer) and Robert Duvall (as his father Joseph) in the same film can only spell amazing possibilities.

Estranged son Hank is a defense attorney who seems to always get his man freed. He knows the law, how to pick a jury and how to exploit them both to keep his high-end, high ticket clients out of jail. Joseph is a 42 year sitting on the bench judge in the same small town where Hank was raised.

Hank was a difficult child and Joseph felt it important to be a tough, no-nonsense, father. What brings them together in this story is the death of Hank’s mom, Joseph’s wife. The difficulty between the two men is quickly set forth when he sees his father for the first time and Dad simply greets him with a handshake.

On the night after the funeral, Joseph is accused of killing a former criminal by hitting him with his car and leaving the scene of the accident. Of course Hank tries to be his dad’s defense lawyer and there is where the story of reconciliation takes place. Both of these actors have a depth that wasn’t fully mined in the script.

The stubbornness and rigidness that Duvall can bring and the quick witted intelligent banter that Downey is known for was only partially displayed. One the other side of the story the scene of father and son in the bathroom while Hank’s daughter Lauren (Emma Tremblay) knocked on the door to be let in was beautifully executed.

Downey was the perfect person for the part and with a stronger script, more could have been made of his history. Duvall was the perfect person for the part of father and judge. Tremblay was great as Downey’s daughter. Vera Farmiga was divine as Hanks old high school girlfriend Samantha. Billy Bob Thornton as the prosecuting attorney was wonderful. Nick Schenk and Bill Dubuque wrote this engaging but not deep enough script. David Dobkin directed this film and made good use of Duvall and Downey but there was more available to make this film great.

Overall:  I laughed, was touched, and found the story intriguing but it was not quite all it could be.

Eagle Eye

First Hit: I was engaged early on but as the film went on it became less plausible and interesting.

Shia LaBeouf plays Jerry Shaw who appears to be an intelligent loner who has a slacker career working as a copy associate at a copy store.

He cannot make his boarding room payments but one day, after the funeral of his twin brother, he finds $750,000 dollars in his bank account and as he walks disillusion into his boarding house room it is filled with boxes of weapons and explosive devices and materials.

While opening some of the containers he receives a telephone call from a woman who says the FBI will be there in 30 seconds he must leave immediately. He is confused and doesn't know why or how he got this call. But within 30 seconds the FBI break into his room and arrest him. While questioning him, he is allowed to make a phone call and as he dials, the woman’s voice comes on the phone again and says lie down on the floor in 14 seconds.

A few moments later a crane sweeps through the room and creates a way for him to escape. A sign across the street flashes “Jerry jump”. This time he follows the instructions from the phone woman’s voice and jumps.

This opening sequence is followed by another sequence with Rachel Holloman (played by Michelle Monaghan) who receives a phone call that if she is to see her son alive again she must walk to the end of a block and get into a car. These two end up together and are linked but they don’t know why.

The mystery in the film is who the mystery voice on the phone is; what does she want, why is she doing this, and how does she see, control, and know everything about them? The set up is great but the film lags and gets more convoluted the farther along it goes. This is unfortunate as some of the other characters played by Billy Bob Thornton and Rosario Dawson are never fleshed out to give the film some depth.

Overall: This film starts with a great beginning but settles into a somewhat predictable blandness and is in the end unsatisfying.