American Animals

First Hit: Interesting in that it shows, how many under 25-year-old men think and act. 

Friendships among young men can be very influential. As childhood friends Warren Lipka (Evan Peters) Spencer Reinhard (Barry Keoghan) are still friends as they enter college. Warren was the more wild, entertaining, and reckless of the two. Together they had a symbiotic bond.

With Warren supposedly going to college on an athletic scholarship and Spencer being drawn towards art, they still hang out, smoke pot and try things together. When Spencer goes into the special collection book room at the Transylvania College Library, he’s struck by the amazing paintings in the displayed Audubon books. Thinking they are valuable, along with others in the collection, including one by Charles Darwin, kiddingly he wonders outloud to Spencer about their value and what he'd do with the money.

Hatching a plan to steal and fence the books, the plan starts a life of its own. Throughout the planning process, Spencer thinks that they will come across an obstacle that will require them to quit thinking they can pull off the job. They don’t. For each obstacle, they find a solution including bringing on two others to help them; brainiac Eric Borsuk (Jared Abrahamson) and rich boy Chas Allen (Blake Jenner).

The film follows them as the plot and work their way through the obstructions from making this robbery work. One of those items was who was going to neutralize the woman guarding the special collections, Betty Jean Gooch (Ann Dowd).

All their planning, partially induced by watching robbery films, turns out to be not as through as they had hoped, which resulted in poorly executed robbery.

One of the better things in this film were the occasional interviews with the real thieves, Gooch, and parents of the boys. What made this even more interesting was that I thought the real young men might have made a better film as they were all personable and film friendly, especially Warren.

Peters was good as Warren. He didn’t quite have the wild-eyed look of the real Warren, but it worked. Keoghan was strong as the conscious one of the group. His hesitating nature make his role work. Abrahamson was strong as the quiet, smart, and a slightly dark brooding Borsuk. The real Borsuk ended up becoming a writer. Jenner as the amped up Allen was intense and supercharged. I thought he did a good job in this role. Dowd was very good as the special collections librarian. Bart Layton wrote an effective and interesting script. He also directed the film. Although I liked the use of having interviews with the real young men, it didn’t help the film because they might have been good in their own roles.

Overall: This was an interesting film especially because it was a true story.

Dunkirk

First Hit: An amazing film that focuses on the event not the actors or their characters.

Easily the best overall film of this year mainly because the vision is true and clear. Not many films make the story the highlight and focus. Mostly films have a character or two that engage the audience into the story. Here the characters are a subset of the story. This doesn’t take away from the actors or acting, but it lays the responsibility of how good this film is on the writer, editor, sound team, music, cinematography, and director.

Christopher Nolen did an amazing job of creating and giving his vision life on the big screen. This is the true story of how 800 boats, most of them small personal pleasure and fishing boats from England, crossed the English Channel to save over 338,000 allied soldiers consisting of British, French, Canadian and Belgium men who were trapped by German soldiers.

Nearly 400,000 soldiers were backed-up to the English Channel, trapped into a corner at Dunkirk, France. German planes bombed the English ships, including hospital ships taking the wounded away from the shoreline. Boats were also torpedoed and sunk. The British Government determined that sending in more large ships and planes to assist these trapped troops would only result in more losses of people and hardware.

The call went out to boat owners in England to sail to Dunkirk and save as many men as possible. Their low water draft meant they could also get closer to shore.

The film follows a couple of the English pilots in their Spitfires as they sacrificed themselves to knock German plains from the sky. It follows a couple of soldiers as they try to find their way to a boat to take them to freedom, alive. It gives the viewer glimpses of British command thinking through Commander Bolton. And it follows a man and his sons in their small boat attempting to save as many as possible. The line shown in the previews and used in the film, “there’s no turning away from this…” was poignantly perfect.

Everyone who played a character in this film is to be lauded. Fionn Whitehead, Damien Bonnard, Aneurin Barnard, Lee Armstrong, James Bloor, Barry Keoghan, Mark Rylance, Tom Glynn-Carney, Tom Hardy, and Kenneth Branagh, just to name a few, were fantastic in each of their respective roles. The music by Hans Zimmer was astounding. The sound effects and its use was spot on perfect. Hoyte Van Hoytema created a sublime view as director of photography. As I previously noted Christopher Nolen’s script and direction was clearly top-notch. This film is his crowning achievement thus far.

Overall:  As of July 2017, clearly best film of the year.