Greed

First Hit: Confusing movie about important subjects; income discrepancy, responsibility, and revenge.

I’m not very sure on how to write this review as the disjointed presentation of the subjects mentioned above left me wondering about the film’s intent.

At the end of the movie, next to still photos of the film’s scenes, we are given information about how clothing designers, companies, and sellers make billions of dollars of profit while the people who sew the clothing make as little as $2.47 for a 10-hour day of work.

The overall story follows Sir Richard McCreadie (Steve Coogan), Greedy McCreadie, as he’s referred to by many, from his high school days when he left school, focused on making money to his 60th birthday party. As we learn, he was always conniving someone to play cards or playing a game called find the queen. If not that he finds ways to buy something low and sell it high.

How he got into the fashion industry was more of an accident than a purpose. From a part-time endeavor, McCreadie excelled at the art of negotiating extremely low clothing manufacturing prices. Seeing an opportunity to make a lot of money with these skills, he decides to open a clothing store, and it becomes very successful. We see him in various scenes negotiating rock bottom prices. We also see the aftermath and conditions these workers work and live under given these negotiated low manufacturing costs.

The film’s plot centers on McCreadie’s preparations for a 60th birthday party that he’s giving himself in a Greek Beachside villa. We know it is expensive because he’s trying to spend less than £1,000,000 for entertainment. He’s also invited some celebrities, and because many cannot make it, he hires celebrity stand-ins. One funny bit has McCreadie looking at these stand-ins in the makeup room, and when he says, and you’re George Michael, the guy says “yes,” and McCreadie looks at his assistant and says, “well how’s that going to work, George Michael is dead.” They are also building a small version of a coliseum where there will be a gladiator scene with a real lion.

Then there are vital scenes showing McCreadie’s privileged ways by wanting the refugees who are living on a public beach removed because it won’t look good for the guests. There are scenes where a government agency is questioning McCreadie about his businesses, the number of bankruptcies he has gone through, how he has all his assets in offshore accounts and countries so he can live so well. In contrast, others that work for him or his manufacturers suffer.

Then there are the personal relationships. McCreadie’s son Finn (Asa Butterfield) hates him, as revealed, by his open discussion about killing his father. His ex-wife Samantha (Isla Fisher), is still very close with him, and as we discover early in the story, she care-takes much of his offshore money.

Lastly, the revenge component is shared through a couple of characters. All through the film, we track McCreadie’s official biographer Nick (David Mitchell), who is probably weak and influenced to write a positive book, as he is talking with family and party attendees.

One of the key people who is planning and setting up the party for McCreadie is Naomi (Shanina Shaik). We learn of her decades long dislike for McCreadie’s ways because a decision by him, got her mother fired. Naomi’s mother had to find another job and ended up in a factory that burned down where her mother suffocated to death. Naomi has a sincere dislike for McCreadie. Her unattachment from the revenge she gets is a fascinating subject that stayed with me for hours after seeing the film.

Coogan is rather good as this arrogant, self-aggrandizing, prick of a man.

The scene in which he chastises a color decorator in a new store location about the interior color and he holds up a Fuchsia sample is funny and sad. What’s precious about it is that later scene we revisit this store, and nobody wants to shop there because of the color. McCreadie rails at the staff, who pick this color? Fisher is compelling as the ex-wife who lays back and reaps the benefits of her ex-husband's ways. Mitchell is terrific as the hesitant biographer. In the end, his understanding of Naomi’s actions is well done. Shaik was probably the best in this film. Her compassion for the Greek children living on the beach, finding ways to make everything work, and her explanation for pushing the button was sublime. Butterfield was keen as the intimidated son who just wanted to be seen, heard, and respected. Sophie Cookson (as the daughter Lily McCreadie) was great as the daughter trying to live a Kardashian life by having her every moment filmed. The scene where she gives food to the homeless on the beach is so telling. Michael Winterbottom both wrote and directed this film, and I just didn’t think it came together well. The oddly timed switching between different scenes, McCreadie’s early life, the party, and being questioned in front of the government committee were not well placed. It came across as confusing.

Overall: There are good points made by this movie, but the confusing story made it difficult to piece it all together.

Ender's Game

First Hit:  I liked where the film ended because it gave me hope for compassionate thinking.

The film reflected the attitude of a fear based society, let’s be aggressors and attack to extinguish another race without knowing their current intention.

True, this planetary race attacked our planet and in the battle we beat them along with destroying an outpost planet they had. However, does this past action note their current intent? How does this mirror our current conservative government officials? These are the questions I reflected on throughout the film.

With this theme there is also the theme that children are more adaptable, think faster and can process large complex problems and data better than adults. The theory of the films leaders is to attack and fully eradicate this other race so that there is no chance they can attack earth again. Although they have no proof that this is what these aliens are planning, it is the belief and therefore they are combing all youths to find the one who can willfully attack and annihilate the aliens.

The storyline follows Ender Wiggin’s (Asa Butterfield) attempt to be that person. He is being guided by Colonel Graff (Harrison Ford) and Mazer Rackham (Ben Kingsley). His sister Valentine (Abigail Breslin) is his conscious and closest family counsel. When he learns he’s tricked into actually extinguishing the perceived enemy, he’s angry and looks to make amends.

Butterflied is very good. He carries the strong willfulness this character needed to succeed and make believable. Ford is perfect as the gruff military man with one goal. Kingsley is also strong as the hero of the first battle with the aliens. Gavin Hood wrote a good script and he got good performances from his cast, while his direction and use of computer generated graphics and visuals were with clear intent.

Overall:  This was a very entertaining film and characters were very well defined.

Hugo (3D)

First Hit: Although interesting from a historical perspective and good acting made it entertaining, it isn't a great film.

This film is a tribute and gives homage to George Melies a pioneer filmmaker who directed 531 films between 1896 and 1914.

He was extremely creative and made “magic” appear on film. He pioneered special effects, multiple exposures, and other editing effects.

Unfortunately WWI created a vacuum of people interested in seeing his films and then the French government took all his celluloid films and melted them down into shoe heels. He ended up being a toy vendor in Montparnasse Train Station.

To create this homage film Director Martin Scorsese creates the character of a recently orphaned boy named Hugo (played by Asa Butterfield) who lives “in the walls” of the Montparnasse Train Station in Paris. Hugo takes care of the station clocks and survives by stealing food from unsuspecting (or maybe willing) station food vendors. The boy, the son of a watchmaker, likes fixing things and he is working on an animatronic human his father found all rusty in an old museum. Hugo hopes that if he fixes this figure that a message will come to him from his deceased father.

To fix this figure, Hugo is always looking for parts and occasionally steals toys from a vendor in the station (Melies). Caught by Melies (played by Ben Kingsley) while trying to steal a small mechanical mouse (for parts); he takes the boy’s notebook which details his father’s drawings about gears and things.

A series of events creates trouble for the boy in the station which is lorded over by a Station Inspector (played by Sasha Cohen). Isabelle (played by Chloe Grace Moretz) who is being looked after by her uncle (Melies) and Aunt “mama” Jeanne (played by Helen McCrory), befriends Hugo and together they figure out that the Melies was the creator of the animatronic human figure Hugo is working on.

The film shifts direction here and focuses on the history of Melies. Here in lies one of three problems for me with this film. First, the shift of the film from Hugo to Melies was not very subtle but it worked and I accepted it.

Second, Scorsese’s use of 3D (the film can also be viewed in 2D) was sometimes excessive (the close up of the Station Agent's Doberman Pinscher is an example) and felt as though the shot with a 3D effect was more important than the content of the shot.

And third, all the main characters where speaking proper English while the scene is Paris, this seemed odd. However, aside of these issues, the cinematography, at times, was extraordinary.

The characters were interesting, especially Mama Jeanne and Melies and I really liked the inter-play between the main characters.

Lastly, knowing little about Melies before the film, this film has driven me to learn more about a man who created magic in a genre I love.

Butterfield is excellent as the driven orphan who is focused on living life on his terms and becomes friends with Melies. Kingsley does an excellent job of being a sad curmudgeon only to have his heart and spirit lifted by the young boy’s efforts. Cohen is funny and effective as the mean Station Inspector whose own physical limitations keep him small minded. Moretz is grand as the little girl who bridges the gap between Hugo and Melies. McCrory is effortless and charming in her role as Melies wife and former lead actress in his films. John Logan wrote effective dialogue. Scorsese did a good job of directing this film although it seemed to be two different films; one about the kid and the other about a tribute to Melies. His use of 3-D was over worked at some point. It almost seemed as though he was using it to excess to honor Melies. I was and am still struck that such a mood piece, taking place in Paris, would be in all proper English - not a French line in it. It just seemed out of sorts (or maybe done so that there is a US audience and a way to make money).

Overall: I really enjoyed learning about Melies and this was an effective way of doing it.

The Boy in the Striped Pajamas

First Hit: This is a strong, powerful, and sad film. The view of the world from a boy’s point of view is accurate and relevant.

Mark Herman, the director, brings the right touch and level from which he wants you to view this film in the opening sequence.

It is of Bruno (played by Asa Butterfield) and three of his companions running through the streets of a German city with their arms out as if they were airplanes shooting down other airplanes or on bombing runs.

The powerful innocence of boys playing out this fantasy during war time is a reminder about how we teach children through our actions. Bruno learns that evening that they must move because his dad, a German officer played by David Thewlis, is being transferred.

The boy is sad at leaving his friends and the next morning the boys come over to say goodbye and they spend their time pretending to shoot and kill each other. The transfer takes him to the country where his father is the head of a prison charged with holding and exterminating Jews.

The boy stumbles upon the prison one day and meets Shmuel (played by Jack Scanlon) an 8 year old boy himself. What Bruno doesn’t get is why Shmuel wears striped pajamas and can’t leave the fenced community to come play with him.

The friendship grows and so does Bruno’s understanding of what is really going on.

For me Scanlon gave an incredible performance and the moment he was on the screen I was hooked. Butterfield was very strong as the main character and the intensity of his eyes, especially the first time he gazes out his window at “the farm” shows you his depth. Vera Farmiga was perfect as Butterfield’s mother as we watch her move from being a supportive wife to one who slowly wakes up to the madness her husband is creating inside the camp.

Overall: This is an extremely well crafted film and catches a boy’s point of view with clarity, crispness, and intelligence.