Alison Pill

Vice

First Hit: I liked this oddly created film about a powerful yet enigmatic man who really ran our country for a period of time.

Dick Cheney (Christian Bale) powerfully found his way into and as a guiding influence in our government especially during the President George W. Bush (Sam Rockwell) years.

The scene that points out his guile was when during the transition from Clinton to Bush, when he, not only had is standard office in the Senate (as a tie-breaker vote), but also had his team find an office in the House side of Congress (that’s where the money bills are created), in the Defense Department, and other places in the seat of our government. He moved in and out of these offices to wield the influence of the Executive branch where ever he could.A

He believed in the Unitary executive theory whereas the President possesses the power to control the entire executive branch of government. Sort of like Nixon’s belief when interviewed by David Frost; “If the President does it, it isn’t against the law.” Cheney believed he, as the lever puller for George Bush, he could do no wrong and nothing he did was illegal. A couple of his feats include; torture of captured combatants, invading Iraq when there was no proof that the country had anything to do with September 11 attack on world trade towers.

It was a focus group that indicated that the American public wanted a country as an enemy and not a concept (Al-Qaeda), so we invaded Iraq, because both Bush, H. W. Bush, and Cheney had wanted to this for a long time. This is just a smattering of the bold divisive actions Cheney took as VP.

We see his earlier years as a college drunken mess. His stint as a lineman in Wyoming. Drinking and fighting in bars after work. His comeuppance by his wife Lynne (Amy Adams), who said after one drunken bout, you either shape up or ship out.

He does shape up and becomes an intern in Congress working for Donald Rumsfeld (Steve Carell) – (the truth is that he worked for Congressman William A. Steiger), then into the White House, eventually rising to Chief of Staff for Gerald Ford (Bill Camp). Then he was elected to Wyoming’s only Congressional seat. This was followed by becoming Secretary of Defense for George H. W. Bush and oversaw Desert Storm, which he believed didn’t go far enough.

The film shows many of these events with sincerity while mixing in scenes with a level of irreverence, and also scenes of Cheney fly fishing in Wyoming. But watching Dick and George’s mistake in both leaving Iraq while pumping up a radical person, resulted in ISIS (Desh). These mistakes are Bush’s and Cheney’s legacy.

Like with the Big Short, director Adam McKay mixes his film’s stories up in ways that various impacts on people. For me this approach was effective, but it was Bale’s Cheney that was amazing.

Bale was Cheney. I believed I was seeing the real guy on the screen. Nothing he did seemed out of character with whom the public knew something about but not how the man thought. And even with this film, most of Cheney’s screen time is watching him think. He wasn’t an impulsive man, that’s clear. Adams was fantastic as Lynne Cheney. Her drive and power over Dick were clear and direct. Carell as Rumsfeld was strong. I never got much of an impression from the real Rumsfeld through his brief public appearances so I’ve nothing to compare this performance to. Rockwell was wonderfully cast as George W. Bush. His breezy, thoughtless manner comes through just as one saw the real Bush in public. Justin Kirk as Scooter Libby was good. LisaGay Hamilton played Condoleezza Rice one of the people Cheney didn’t see eye to eye with. Tyler Perry played Colin Powell who reluctantly spoke at the UN for the bombing of Iraq, although he never believed it was the right thing to do. Alison Pill played Cheney’s older gay daughter Mary whom is stood behind by her family early on in the film and then when the younger daughter Liz (Lily Rabe) runs for office, Dick turns against Mary’s lesbian ways so that Liz can get elected as the Representative of Wyoming. Power was what drove Dick in life and not even family got in the way. Adam McKay wrote an interesting script that reflects the way he likes to create a movie. Dancing across the information while willing to mix it up in ways that are different. I happen to like it.

Overall: The acting is superb and the way this story is told is probably not everyone’s cup of tea.

Miss Sloane

First Hit:  A very engaging and intense look at winner take all lobbying through a no-holds barred lobbyist.

I didn’t have any idea what kind of life or upbringing Elizabeth Sloane (Jessica Chastain) had, but to witness her "win at any cost" actions made me wonder. As one of her bosses asked; “were you born this way?”

Notwithstanding, I bought Sloane’s character because all her actions supported it. Early on there’s a statement where she says something like; one must be fully prepared so that when your opponent plays their trump card, you play your trump card, trumping theirs.

One of the beginning sequences she’s asked by George Dupont (Sam Waterston), her high-powered boss at the large lobbyist firm she works in, to support the NRA in creating a program to get women to want to become gun owners to protect their family. They want this because the lobby wants the Brady gun law bill to be defeated in the Senate. Sloane balks, and when pressed by her boss to take the assignment, she quits and joins a small boutique firm run by Rodolfo Schmidt (Mark Strong) to lobby for the Brady bill and against her old firm. When she leaves this firm she takes most of her staff except her primary aid Jane Malloy (Alison Pill), who says she's thinking of getting out of the lobby business.

The film flashes ahead where she is being held for illegal lobbying practices in a hearing chaired by Congressman Ron M. Sperling (John Lithgow). In these flash ahead scenes, we get a sense of the pressure a congressional hearing might bring against someone.

Likewise, we see how hard she works to find out material that she can use to make her point, win the votes. In befriending Esme Manucharian (Gugu Mbatha-Raw), one of the people on her team, she sees Esme’s intelligence and commitment to this cause but also exposes her secret to the public.

Does she care? That is one of the film’s points. There are many different levels of caring and it doesn’t always look like what most people expect it to be. To this end, when she sacrifices herself to win her cause and not involve others, some of these questions are answered.

Chastain is this film. Her characters intensity, focus, and work effort to deliver on made promises is absolutely amazing. A tour de force performance. Mbatha-Raw is fantastic. The unfolding vulnerability she shows as her past is revealed is totally believable. Pill is perfect as Sloane’s work partner. Strong is really good as the head of a boutique lobbying firm. His support and questioning of Sloane’s tactics was spot-on. Lithgow as the Congressman who gets compromised was very good. His pushiness and superior attitude falling away to shock at being found out, was sublime. Waterston was very good as the head of a lobbying firm that just wants his business to grow. Jonathan Perera wrote a very interesting script. It was a fascinating look at the lobbying industry. John Madden clearly guided Chastain to take charge of the character and this movie. This was an excellent idea.

Overall:  I was transfixed by Chastain’s character, which required complete commitment to her goals.

To Rome With Love

First Hit:  Mediocre Allen film with some funny moments.

Over the last few years Woody Allen has created a few wonderful works based in Europe: “Midnight in Paris”, “Vicky Cristina Barcelona”, and “Match Point”.

Part of what made these films work is that Allen isn’t a character in them. It appears to me that his best work, these days, is when he isn’t a character in his films but when his focus is strong writing and directing.

Here Jerry (Allen) and his wife Phyllis (played by Judy Davis) are in Rome to meet their daughter Hayley’s (played by Alison Pill) fiancé Michelangelo (played by Flavio Parenti). In another story, John (played by Alex Baldwin) is coaching Jack (Jesse Eisenberg) about whether he should or will have sex with his live-in girlfriend Sally’s (played by Greta Gerwig) close friend Monica (Ellen Page) who is visiting them from Hollywood.

In another story, Millie and Antonio (played by Alessandra Mastronardi and Alessandro Tiberi respectively) are on their honeymoon in Rome and she wants to have an affair with an Italian film star while her new husband is attempting to fend off Anna (played by Penelope Cruz) a whore who’s been fully paid for.

Lastly, there is a story about the fleetingness and stupidity of fame with Leopoldo (played by Roberto Benigni) who all of a sudden finds himself the darling of the media until one day it stops, just as it started, suddenly and without reason.

Of the four major stories, the one with Jerry attempting to get Michelangelo’s father Giancarlo (played by Fabio Armiliato) to sing opera on stage after Jerry hears him singing opera in the shower are the funny bits. We discover that Giancarlo can only sing well when he is in a shower, so Jerry stages major operas with every scene with Giancarlo singing on stage in a portable shower.

Allen is mediocre and, for the most part, probably needs to quit being in front of the camera. Davis is good as Allen’s wife who puts up with her husband’s predilections. Pill is OK as Allen and Davis’ daughter. Parenti is a level above as the protective left wing fiancé. Baldwin is nothing interesting except when he says lines which reflect his real world woes. Eisenberg has no wings here and is retrained. Gerwig is OK but doesn’t seem engaged in the role. Page is supposed to be the femme fatale, but I found it hard to see her as described (sexy). Mastronardi and Tiberi are fine as the distracted honeymooners. Cruz came across as overtly trying. Benigni is somewhat mindless in this misplaced character. Armiliato was the best thing in the film. Being able to hold together a shower signing opera man was very good. Allen wrote and directed this very mediocre film.

Overall: This film was mostly lifeless and without a strong story – just a mash of four poorly constructed ones.

Scott Pilgrim vs. the World

First Hit: Inventive filmmaking and acting made this a thoroughly enjoyable experience.

I like when people take some risks. Edgar Wright took the story written by Michael Bacall, Bryan Lee O’Malley and Wright, himself, and turned it into a visual reality based on the combination of comic book graphics and real life.

Like in the very old days of TV Batman, Wright’s team used graphics in expressing actions and words while adding interesting patterns of staging and lighting to this story. Telephone rings and you see “rrrriiiiinnnngggg” super imposed on a wall or table. People fly through the air like they do in amazing Asian martial arts fighting scenes. Edgy music adds a powerful punch to the background visuals and adds to the fun and enjoyment of this film.

And I just loved the names of the characters including: Pilgrim (played by Michael Cera) who is in a band named Sex Bob Ombs, had an old girlfriend name Kim Pine (played by Alison Pill) that broke his heart (he was pining for her), finds Knives Chau (played by Ellen Wong) who is a high school girl who likes Pilgrim and cuts to the chase, runs into Ramona Flowers (played by Mary Elizabeth Winstead) whom he falls in love with immediately and she changes hair color weekly, and discovers that to hang with Ramona he must defeat her seven evil ex’s.

The band members’ names are Stephen Stills (played by Mark Webber), Young Neil (played by Johnny Simmons) and Julie Powers on drums (played by Aubrey Plaza). When the band gets invited to play a "battle of the bands", Pilgrim also has to defeat the seven ex’s if he wants to keep his new girlfriend. In these scenes he is a martial arts master and as soon as he conquers an evil ex, a pinball score rises over the ex’s head and the person turns to coins (a payoff).

All through this, there are other amusing and funny moments as the story unfolds. There are lessons to learn for all the characters and the film is fun to watch. It has a level of freshness to it that felt like I was seeing something interesting on the screen that didn't measure its worth by how big the explosion had to be.

Cera is still playing the nerdy boy with some smarts which he occasionally uses. He plays this role often and someday he might want to try something totally different. Wong was fabulous as Knives. She captured the character extremely well. Winstead was also very strong as Ramona. Pill was good as the previous girlfriend who broke Pilgrim’s heart. Webber, Simmons and Plaza were great as band members who put up with and supported Pilgrim through the adventure. Kieran Culkin was fabulous as Pilgrim’s gay roommate. Wright directed with film with fun and an eye for color and scenes which spoke clearly.

Overall: Not sure I’d like to see a lot of films shot this way, but when one comes along that is this well crafted, it is definitely worth it.

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