Films that rose above the fray in 2018

This was a particularly good year for films. At first I didn’t think so but after I reviewed the films I watched and wrote about this past year, I was pleasantly surprised. I was entertained by outstanding acting, strong and poignant films about racism, and out loud laughs. My next post will be about the Oscar nominations.

Game Night: This film was funny from the get go and I laughed out loud all the way through.

Leaning Into the Wind: Andrew Goldsworthy: If you liked the film River and Tides, you’ll love Leaning....

The Death of Stalin: There are very funny moments, but I couldn’t help but wonder was his regime filled with that much personal corruptness? Probably.

Flower: The acting lifts this bizarre storyline to funny, engaging and entertaining levels.

Red Sparrow: Although long at 2h 19min, it had enough twists, turns, and detail to keep me fully engaged.

You Were Never Really Here: Beautifully shot scenes, dynamic soundtrack, but this oddly paced film tells a story of redemption, salvation or deeper despair.

Beirut: I really liked the way this film was put together and came to fruition.

A Quiet Place: Well done film and the silence of the actors made all the difference in the world.

Deadpool 2: First Hit: This film is fun, irreverent and filled with out-loud laughs.

RBG: Excellent film about a woman who lives within her strength and defined and changed U.S. law.

Disobedience: Extremely well-acted film about how antiquated thinking can split families and a loving relationship.

Hotel Artemis: Who says Hollywood cannot create a unique and well-acted film.

Blindspotting: Extremely powerful and pointed film and raises the bar for Best Picture of the Year. In my view this unnominated film is by far and away the best film of 2018.

Don't Worry, He Won't Get Far On Foot: A unhurried film revealing the power of how forgiveness of others and self, can make one’s life different.

Three Identical Strangers: A truly amazing story about how sciences’ curiosity didn't take into account the effects on human beings.

Sorry to Bother You: What I liked about this film is that it is funny, unique, and unlike any other film I’ve seen.

Leave No Trace: Sublimely acted and evenly paced film about a man and his daughter living in a public forest.

Puzzle: I thoroughly enjoyed this poignant film about a woman finding herself through a passion.

BlacKkKlansman: Fantastic film about race relations in the United States while reminding the audience about how far we have to go.

Eighth Grade: Outstanding acting and script gives us an insightful view of what it is like to be in the Eighth Grade today.

Fahrenheit 11/9: Covers a lot of stuff but I think it was mostly about Presidents and people in power managing and acting poorly.

Pick of the Litter: It was an fantastic and interesting way to learn about how guide dogs are taught to be amazing caretakers for the blind.

First Man: Compelling reenactment of an audaciously brave time in the 1960’s where we were challenged by President Kennedy to go to the moon.

The Hate U Give: A fantastic film about the existence of racism and, as indicated here, in our police departments as well.

Green Book: Excellent acting, engaging story, and both funny and thought-provoking make this film fun to sit through.

Boy Erased: Outstanding cast delivers sublime performances in a powerful story about LGBT conversion programs.

A Private War: Rosamund Pike (as Marie Colvin) gives a deeply complex performance of a war correspondent who brought personal stories of war victims to the forefront.

Bohemian Rhapsody: Accurate or not, this film was fun, well-acted, engaging, and joyful.

Can You Ever Forgive Me: Excellent acting about a caustic, friendless author that finally finds her voice.

Mary Queen of Scots: Saoirse Ronan (Mary Stuart) and Margot Robbie (Queen Elizabeth 1) give powerful performances in this adaptation of how Mary Queen of Scots tried to claim her title to the throne of England and Scotland.

Vice: I liked this oddly created film about a powerful yet enigmatic man who really ran our country for a period of time.

Ben is Back: Extremely well-acted story based on 24 hours of a mother and her addicted son’s return for the holidays.

Roma: Outside of the beautiful black and white photography and languid movement of the story, I left the theater with little.

The Favourite: A stark, intense musical score underscores the bizarre and tension filled interrelationships between the queen and her court.

Shoplifters: Wonderfully engaging film about a Japanese family who chose each other while fighting to stay nourished and together.

A Dog's Way Home

First Hit: Although, at times, cute and pointedly created to pull the heartstrings, it was also boringly long and misguided.

Having a dog, I was looking forward to seeing this film about a dog finding its way back home.

It started cute enough with a group of cats and a mother dog living in an abandoned building across the street from Lucas (Jonah Hauer-King) and his mother Terri (Ashley Judd). The warning though is that the voice over begins and it will only get worse.

Terri is an Iraqi war veteran with PTSD and is a volunteer at a local VA hospital. Lucas works at the center and has been feeding the cats underneath the abandoned building. By feeding them, he’s keeping the cats alive, which also stops the tearing down of the abandoned homes by the owner.

The owner of the building gets stymied from building on the ramshackle lot because of the animals living on the premises. When animal control comes and thinks they’ve removed the animals, what they miss is a mother cat, some of her kittens, and a puppy who was still nursing from its mother.

The puppy, voice by Bryce Dallas Howard, is now being taken care of a mother cat who nurses it. At times it's funny to watch as the dog grows more massive than the momma cat. These dog and cat scenes are setups for later.

Lucas and his girlfriend Olivia (Alexandra Shipp) find the puppy and Lucas decides to keep it. Because the home Terri and Lucas live is doesn’t allow pets, they must be careful in raising the puppy, now named Bella.

Some of these scenes are cute, as were the scenes when Lucas sneaks Bella to his work because the house owner is coming to fix something in the home they rent. When Bella stumbles into a PTSD meeting of vets, of which Terri is one, the vets love Bella and Bella provides comfort as the soldiers speak about their war experiences.

The film sets up the premise of Bella finding her way home because a mean animal control officer is intent on capturing and euthanizing Bella. In the city of Denver, pit bulls are not allowed in public because they’ve been deemed as dangerous. Bella is suspected of being a pit bull although no one proves this. To keep Bella safe until he can find a new home Lucas sends Bella to live with Olivia’s family four-hundred miles away in New Mexico.

Just as Lucas travels to New Mexico to pick-up Bella, Bella was hearing her inner voice to go home, escapes and begins a long trip to find Lucas.

During this trip, Bella becomes friends with and protects a “large kitty” (it’s a cougar). During their travels together, they fight off wolves, get separated by cross-country snow skiers, and finally meet up again.

It’s during this segue of Bella’s trip home that I got bored. We spend at least 20 minutes with two men who take care of Bella and another dog, whose owner doesn’t want, only to have Bella leave and try to find Lucas and maybe “large kitty.”

This film is predictable, poorly constructed, and many scenes were only designed to make the audience feel something. This point, of making expressed emotional scenes, in itself, isn’t a bad thing, however when it’s this obvious, it a detriment to the film and demeaning to the watcher.

Hauer-King was poor. He seemed overly simple and not one who honestly thinks things through. His acting had no depth of character. Judd was outstanding as the PTSD mother. I loved her holding the wrist of the animal control officer – entirely in control of the situation. Shipp was steady as the girlfriend. She was believable in her scenes. Howard was nauseatingly childlike as the voice of Bella. As a puppy the voice was OK, and as Bella grew up, the voice didn’t change to reflect a maturing of the dog. Cathryn Michon wrote a very week script. Multiple scenes could have been shortened or removed (the whole segue with the gay men). W. Bruce Cameron did a poor job of directing this. The acts with the animal control officer were too overt and not realistic, nor were the scenes with “large kitty” and Bella on the ice.

Overall: Although the concept was good, the story was poorly constructed and overtly created for emotions.

Hunter Killer

First Hit: As far as submarine-based films, it was OK, but the added ground team made it better.

My dad (who died 23 years ago today) loved submarine films. His favorite was the 1958 thriller Run Silent Run Deep. He’d sit there and watch it every time it came on television (after seeing it on the big screen) and recite the dialogue with the actors. Maybe it was because he loved the ocean, or that he was in the Navy, I don’t know, but when I see submarine films, I think of him.

In this movie, a U.S. submarine is, at close range, following a Russian sub under arctic ice in the Barents Sea. Then unknowingly, another Russian sub, hiding in a carve out slice of ice, torpedoes and sinks the U.S. Sub. Then there is an explosion and the Russian sub sinks.

Rear Admiral John Fisk (Common) with National Security Advisor Analyst Jayne Norquist (Linda Cardellini) advocates figuring out what to do and wants to send another submarine in to figure out what happened to the sub and if there are any survivors. Chief Joint Chief of Staff Charles Donnegan (Gary Oldman) is opposed to this and wants to gear up to start another world war against the Russians.

Meanwhile we get a short glimpse of SEAL Lieutenant Bill Beaman (Toby Stephens) and his team practicing maneuvers.

Then when Fisk sends the USS Arkansas sub commanded by newly inaugurated Captain Joe Glass (Gerard Butler) to find the previously sunk U.S. Sub, they also find the sunk Russian Sub.

They hear something on the Russian Sub and make a rescue of the captain and two other men. When Glass shows the Russian Captain, Sergei Andropov (Michael Nyqvist) that his Russian sub was sabotaged and sunk by someone on board, he realizes that something is going on with his country.

Sensing Russian problems, Beaman’s team parachutes into the Russian base to find the Russian President Zakarin (Alexander Diachenko) is being held hostage by Defence Minister Dmitri Durov (Mikhail Gorevoy) who is instigating a coup.

The plan is to have Beaman’s team kidnap the Russian President and escape by getting on board Glass’s sub which will be guided into the Russian base by Andropov. All this is to prevent an all-out war between the two countries.

I thought some of the scenes in the subs were well done. I loved when the men on the con were leaning as the sub dove. I thought the attitude of the SEALs was perfect. I enjoyed the sharpshooting by the youngest member of this team. I enjoyed the grit and determination shown by Captain Glass, especially when he was challenging Andropov to help him.

There is a far amount of suspense in the film, but it does have an obviousness that we know how it will end. Thought that Donnegan’s character was over the top and don’t know if that was direction or just Oldman being over the top.

Butler was excellent as the come up from the ranks Captain of the USS Arkansas. There was a certain amount of grittiness in his approach that worked for this role. Common seemed a little out of his element in this role. He didn’t quite exemplify a Rear Admiral. Oldman's character was unprofessional, for the position, in the ranting he showed. Nyqvist was excellent as the closed mouth long time professional sailor. Diachenko was OK as the Russian President. He didn’t quite come off as being strong. Gorevoy was a poor choice as someone to pull off a coup. His character felt fearful and weak most of the time. Stephens was great and exemplified a Navy SEAL leader, rough, demanding and with a heart underneath. Cardellini was good as a NSA Senior Analyst. Arne Schmidt and Jamie Moss wrote a good script. Donovan Marsh did a good job of directing this film. Some of the scenes in the sub were fantastic as were some of the on-land scenes. However, really thought that Oldman’s role was a big downfall as was the war room scene with the US President.

Overall: An OK thriller but it will not go down as an all-time great submarine-based film.

Alpha

First Hit: The premise was good but sitting there waiting and waiting and waiting for the film to move along almost made me leave early.

It is known that wolves are the ancestors of our modern-day dog, man’s best friend. Having a dog, albeit a small one, has shown me how wonderful dogs are as companions and especially how loyal they are.

The problem with this film is that it was unrealistic in too many ways to make me believe this version of the story about how wolves and man created a synergy that would last thousands and thousands of years.

What wasn’t believable? That the village of people lived so very far away from the once a year food they’d collect. When they went hunting for buffalo they men traveled for months. We didn’t see much about how they survived, ate and drank water, through these harsh geographic elements. Their teeth were perfect, meaning the make-up didn’t even try to hide this fact. That they killed the buffalo by herding them off a cliff, just didn’t seem realistic. But most of the fantasy was Keda’s (Kodi Smit-McPhee) journey back to his village after his father Tau (Johannes Haukur Johannesson) and his team of hunters, left Keda to die on the edge of a cliff. Not only did I find it hard to believe he survived the fall, I also didn’t believe he could have survived the months long trek back to his village by following tattoos on his arm supposedly mapping stars in the sky. They didn’t provide much guidance and because of the long travel time, those stars would have shifted in the night sky.

Keda was identified by his mother Rho (Natassia Malthe) and possibly the Shaman (Leonor Varela) to be more big hearted and less ruthless than the others in the tribe. Although Keda adequately created a flint spear head, which gave him the honor of joining the hunting expedition, he wasn’t seen as having the killer instinct. This proves out during the trek to the buffalo hunting site as he refuses to kill a boar for food.

First you have to buy that he's big hearted (the most believable aspect of the film), then you must believe he survived the fall off a tremendous cliff with only a hurt ankle. The crown was that the story wants you to believe that he made the journey back to his village looking at the tattoo on his hand every 5 days or so. Just not likely.

However, believing this was the set up was to give credence to his first injuring the wolf, the alpha of the pack, then, because of his kind heart, nurses the wolf back to health. The wolf in-turn helps him hunt and kill food and keeps him warm at night.

At one point the wolf leaves Keda because Alpha's old pack coax the wolf back. But then there is a scene where Keda meets up with the wolf pack and the wolf chooses to save Keda against the elements.

The whole trek back to Keda’s village could have been cut by 50% to help the film. It just didn’t need all the snow driven angst. However, the ending shows how man and wolf/dogs became companions in a larger sense which was nice.

Smit-McPhee was adequate as Keda. His looks and actions, though, didn’t seem like they were correct to reflect being 20,000 years in the past. Johannesson was OK as the tribe leader, but he didn’t look like he came from 20,000 years ago. Malthe was OK as Keda’s mother. Whatever animal played Alpha was wonderful. Daniele Sebastian Wiedenhaupt wrote an OK screenplay (dialog wise). Although I don’t think language had developed that well 20,000 years ago. However, I could be wrong. Albert Hughes had a wonderful vision about how wolves became the forefathers of our modern dog, but this wasn’t borne out in the final product. The best part of the film were some of the geographic shots of the land.

Overall: There were multiple times I wanted to get up and leave because of boredom.

Mission: Impossible - Fallout

First Hit: Holds tension and action throughout, however it is long and we all know the ending.

I’ve said this many a time, what I like about Tom Cruise (here as IMF Agent Ethan Hunt) is that he’s always all in for the characters he chooses. As Ethan Hunt he’s one with the role. What is always disappointing is that we always know how the film is going to end. For instance, my previous review of the film Blindspotting, I had no idea how the movie would end, that’s what partly made it great. Watching Mission, I know that Hunt is going to save the day in the nick of time and he doesn't fail.

Despite that, this film is action packed from the very beginning and creates tension by delivering on some hair-raising predicaments and stunts. One of the nice touches was how the film began. Playing the Mission: Impossible theme music, it showed brief pictures of was to come, just like the television show use to do. The cast is solid, especially Hunts team of Luther Stickell (Ving Rhames) and Benjamin “Benji” Dunn (Simon Pegg). Their chemistry of working together on previous Mission films makes the impossible missions more possible and believable to the audience – they are pros.

The plot has Hunt attempting to obtain three plutonium devices that are on the black market. The US Government want to keep them out of the hands of terrorists. Hunt makes the choice to save the life of Luther over obtaining the devices.

Solomon Lane (Sean Harris), who Hunt previously captured and put into prison, is attempting to obtain the devices through surrogates. He wants to use the devices to make a point that the world must suffer greatly if it is to get better. His former organization, The Apostles, want the weapons as well.

One of the plot devices is to have CIA agent August Walker (Henry Cavill) join the team to protect the CIA’s interest in IMF’s plot to re-obtain the devices. Walker is directly under CIA Director Erica Stone (Angela Bassett). The twist is that Walker is also playing John Lark who is an enemy of the CIA and IMF.

Hunt and his team are under the direction of former CIA Director Alan Hunley (Alec Baldwin) who now leads the IMF task force. The film shows the tension between the CIA and IMF because the CIA doubts that the IMF can get the job done.

Another twist to this plot is the MI6 agent Ilsa Faust (Rebecca Ferguson) who has to redeem herself to her organization, therefore she must also obtain the plutonium devices.

Lastly, trying to broker a sale of the devices the story has the White Widow (Vanessa Kirby). I'm not totally sure why this part was needed but it worked.

What the film has is a number of different groups trying to get control of;  the plutonium, a captured prisoner, or Hunt.

There are plenty of gun battle scenes, lots of chases (cars, motorcycles, running, and helicopter), and plenty of costume changes that the Mission: Impossible team is noted for. Everything is done very well, and the cliff hanging scene is simply a great cliffhanger. Lastly, one of the highlights for me was the different ways the theme song was used throughout the film.

Cruise always puts everything into his action roles. He can be funny, self-effacing, and believable all at the same time. Cavill is good as the agent with dual identity. Rhames is fantastic as part of the IMF team. He shows smarts, affability, and is fully believable in his role. Pegg is spot on as the one always questioning whether a plan Hunt has devised will work or not. In the end, he does his part and is often the one who figures things out. Ferguson is excellent as one of two women Hunt admires and loves. As an agent of MI6 she’s excellent. Harris is good as the slightly off-base mastermind who wants to teach the world a lesson or two. Bassett is good as the CIA Director that is elusive about her commitment to the IMF team. Baldwin was very good as Hunt’s immediate boss. Kirby was good as the White Widow, but I found it difficult to buy into why she held so much sway. Michelle Monaghan was excellent as Hunt’s former wife who is in jeopardy at the end of the film. Christopher McQuarrie wrote and directed this adventure with complete idea of what he wanted and with a knowing how to build tension to the end.

Overall: This was a fun filled film although it was a bit long.