Free Fire

First Hit:  Not many screenwriters and directors attempt to shoot an entire film in one room and this film shows why. Part of the issue with shooting a film in a one room, with a few scenes outside the room, is that the room set has to be dynamic or amazing and/or the characters have to be inspiring and so engaging that the audience is on the edge of their seat. Some films focus on one or the other while most of the rest try to focus on both. This one appears to focus on character development but by limiting any movement in the set because people are in a gunfight and pinned down, the difficulty in making the characters interesting, is pronounced.

What we have is two factions. One group wants to buy some M-16 rifles and another group wants to sell guns. The deal is filled with mistrust as the rifles that get delivered to the meeting place, a broken-down warehouse, are not M-16s. This creates tension between the two factions.

What blows this up is one of the guys Stevo (Sam Riley) who’s on the team buying the guns for the IRA, got beaten up by Harry (Jack Reynor), one of the guys from the seller’s team. Harry beat-up Stevo because he said some very rude things to his sister. When they each recognized each other they start to fight and the two sides begin shooting at each other and thus begins about an hours’ worth of shooting in a small confined space.

During the shooting the sides call out to each other and some of their past association comes to light.

There are very amusing parts and quips along the way which worked, however, the fight was too long and it ran out steam about 20 – 25 minutes into the gun battle. Although the ending wasn’t predictable, it didn’t mean much because I didn’t care a whole lot.

Regardless of the film, if there is nothing to root for, care about, or associate/connect with, then the experience dies and the film fades from my mind just as soon as I get up out of my seat.

The actors that stood out during this film were: Armie Hammer (as Ord) the strong arm. Brie Larson (as Justine) as the smoother between the two groups. Sharlto Copley (as Vernon) another strong arm. Others, like Riley and Reynor, were good, however this film didn’t quite lend itself to strong acting, just short quips and brief explosions of anger or shooting. Amy Jump and Ben Wheatley wrote a quippish script. Wheatley as director did get something out of the limited script, but after 20 minutes of the OK corral in a broken down warehouse the film just fizzled out.

Overall: This film had possibilities but in the end, it failed on all levels.

the Fate of the Furious

First Hit:  With improbable situations, circumstances and action, it was funny enough to make me stay till the end. There is very little about this film that is remotely believable. I won’t mention them here but when you watch it, you’ll know what I mean.

Somehow in the saga of these Furious films, Dom (Vin Diesel) grew close to someone which created a situation where the result has him go against his "family." Anyone who’s seen these series of films, Dom makes “family” the main thing that no one goes against. So, for Dom to go against his family, the situation must be a big deal.

Introducing him to this situation is Cipher (Charlize Theron) whose role is to be the smartest person on the planet, wants to control the world by living on a plane using high tech tools and have the ability to take control of any computer on the planet. By doing so she plans to use Dom to carry out some of her physical missions and she has just the motivation to make him turn away from family.

The government intelligence agency headed by Mr. Nobody (Kurt Russell) and his new underling Little Nobody (Scott Eastwood) want to find out why Dom stole a concussion device. To do this they pull the rest of the family together and add Hobbs (Dwayne Johnson) and Deckard (Jason Statham) to the mix and spare no expense in wrecking expensive cars, tanks, and guns to find Dom, and why he betrayed “family”.

One of the funniest themes through the film was why Tej (Chris “Ludicris” Bridges) was only ranked 11^th on the most wanted list. He throws a fit about this throughout the film.

With no expense held back on making a film that blows up a whole bunch of stuff, wrecking a fleet full of cars, has a submarine chasing cars, and kills a pile of people, F. Gary Gray took Chris Morgan’s script and made it fun.

Diesel was good. I’m not much of a fan of his character because it is always the same one no matter the film. Theron makes a very good bad girl. She pulled this off and was believable (or as believable as one could make this part) enough to not have me cringe. Russell is great. I loved his popping in and out of the film bringing lightheartedness and smarts. Eastwood is fun as the new agent learning the ropes. Johnson is, well, Johnson. His brutishness and size, especially when he’s walking through the prison in the orange jumpsuit, says it all. He can be intimidating. Statham, although not the size of either Diesel or Johnson, has a look and swagger that makes him an equal of the other two in perceived strength. Bridges is really fun and whether he’s unhappy at being 11^th or in the cold weather, he makes everyone smile. Michelle Rodriguez as Letty is carrying on the role she created in the earlier films. She does tough/soft well. Tyrese Gibson as Roman does a great job of being the guy who thinks things through for the team. Nathalie Emmanuel as Ramsey is a perfect complement to Gibson’s "Roman" as part of the team’s brain trust. Morgan’s script was haphazard, had holes in it, and didn’t tie together well but it was fun. Gray must have had fun directing this crew given the script he had.

Overall:  Do not expect this film to make much sense, but it is funny enough, and has enough fun chases to keep you in your seat.

Ghost in the Shell

First Hit:  Interesting to watch but not very engaging. This is one of those films that with the right use of computer generated graphics and a great story we’d have a wonderful film. However, I think the script failed to create the sense of urgency this film can create.

A couple of the questions this film brings are: Will we all become a brain inside a hi-tech mechanical robotic body? Will the brain be able to embrace all our memories and our souls while operating without the rest of the body and all the other cells that hold memories of their own?

Here we have Major Mira Killian (Scarlett Johansson) waking up from a procedure that implanted her brain into a cyborg body. She struggles with memories because the lines between humans and robot are becoming blurred and therefore, she is as well. She was built to be a weapon.

She’s not the first and one of her predecessors Hideo Kuze (Michael Pitt), has become an enemy of the company manufacturing both him, Major, and other robotic cyborgs. He foils many of the company’s plans and when Major does a “deep dive” into a robotic that had been compromised by Kuze, she learns something about Kuze and has a stronger desire to find him.

Major’s support comes from District 9 Chief Daisuke Aramaki (Takeshi Kitano), friend and solider Batou (Pilou Asbaek), and her direct creator Dr. Ouelet (Juliette Binoche). Additionally, she learns of her real history when she meets Motoko’s (Kaori Yamamoto) mother. She learns and figures out that she is Motoko.

Most of the film is shot at night or in very dark scenes which made this film more difficult to watch in that there was little in the way demonstrating light and hope. However, from a filmmakers point of view, they couldn’t create the interesting CG figures that are as tall as buildings that grace the skyline if it wasn't dark.

In general, there wasn’t enough digging into the issue that's behind the story, the issue of combining mankind and machines into one unit. The film just danced around the subject.

Johansson was good but she lacked a great story, poor direction or, more than likely, both. Knowing her capabilities in roles like this (think “Lucy”), in this film she felt lifelessness. Pitt’s role was supposed to be intelligent and dark. It was dark but didn’t really work in the intelligence arena as the script was limited. Kitano was one of the best pieces of this film. He was clear in his role and delivered aspects of what this film could have been. Binoche was almost out of place. She's fresh and alive, and although I bought her role, I’m not sure she couldn’t have known more about her boss’s intention. She doesn't do naive well. Yamamoto was exquisite. I loved how she related the story of losing her son and daughter. Asbaek was great as Major’s friend and fellow soldier. Jamie Moss, William Wheeler, and Ehren Kruger wrote a mediocre screenplay as the dialogue did not create much interest. However, the direction by Rupert Sanders was as much to blame for the failure of this film as well.

Overall:  This film comes from great stock, but fails to really engage the story and therefore the audience.

King Kong: Skull Island (3-D)

First Hit:  Although a couple of characters were OK and the CGI was strong, the film’s story lacked in generating any interest.

Really? The reason our government paid for this team of people to explore Skull Island was to beat the Russians to it. That this island had never been seen before, was clouded in its own weather system, and Bill Randa (John Goodman) believed it held secrets to ships sinking was neither believable nor explained.

What we got were strongly divided characters, a pacifist photographer named Mason Weaver (Brie Larson), mercenary James Conrad (Tom Hiddleston), angry Army helicopter platoon leader Lieutenant Colonel Preston Packard (Samuel L. Jackson) and an oddly lost WWII pilot Hank Marlow (John C. Reilly). All of these, except Marlow, make it through the island’s protective weather in helicopters and as they begin dropping sonic bombs to develop an understanding what is underneath the island’s surface, the disruption wakes up King Kong who knocks helicopters out of the sky.

Now they all think that Kong is the enemy. Because he hurt his team, Packard is hell-bent on killing Kong. The audience knows this is a stupid idea. While the remaining exploratory team members try to find each other, they run into very tall spiders and some mean flying reptiles.

During all the commotion, one group finds themselves surrounded by a silent tribe of painted and scarred men and women. Just as this tribe is about to hurt them, Marlow appears in a jokingly funny sort of way. He has influence with the silent tribe because they let these new island invaders go.

We are given the story that Kong protects the tribe and humans from the skull eaters which are lizard like animals that live below the surface. This storyline can get worse and it does, however the CGI of Kong fighting the skull eaters was effective and interesting.

The storyline is weak and made up to only have these great fights between these large creatures. The filmmakers have some of the landing team be kind and helpful towards Kong which makes Kong become a  positive sympathetic character as he helps them survive the attack of the skull eaters.

Goodman is mediocre as someone who lost his son and wants to uncover the mystery of this island. Hiddleston is OK and is above the fray of this film's poor story and poor script. He’s believable in an unbelievable story. Larson is good as the photographer who is looking for shots that make her known. Jackson is fine but it is his character that I didn’t like. He was way too hawkish and illogical to make me care or want him to succeed. Reilly was the most interesting and amusing character in the film. He brought levity and fun to the overall experience. Jing Tian had a minor part and seemed out of place.  Dan Gilroy, Max Borenstein, and Derek Connolly wrote a very mediocre screenplay that had little depth. There were moments that they tried to create back stories for the characters, but there was little effort in this and therefore it failed. Jordan Vogt-Roberts did what he could with the story. Many of the shots were well crafted, but it is hard to make a good film with a mediocre story and script.

Overall:  This film fails to entertain and is lost because of the story and script.

Logan

First Hit:  As a superhero movie, it's realistically dark and thoughtful.

Most superhero films are either tongue in cheek, lighthearted, go overboard on the superpower action, or all of these things. This film doesn’t do any of this. It is downright about the characters some who have superpower traits.

We have Logan (Hugh Jackman) as Wolverine who is aging, ill, and driving a limousine to make enough money for him and Caliban (Stephen Merchant) to take care of X-Men leader Charles (Patrick Stewart) who is dying. They are living out in the middle of nowhere and seem to be counting their days till they fade away and die. There haven’t been any new mutants born in the last 25 years and the clan is dying out.

However, a Dr. Rice (Richard E. Grant) has been experimenting with genetics on embryos and young children trying to create warriors/soldiers with superpower abilities. He's trying to create his own mutants. However, he's discovered that they have feelings and minds and cannot be controllable easily. He thinks he's got a way to make mutants that don't act on their own so he decides to kill all his previous experiments. Learning this, the young kids who are still alive, stage a revolt and escape.

Laura (Dafne Keen) is assisted by a nurse in the clinic and is in search of finding Logan because Laura has Logan's genetics and his wolverine superpower. The story is about how Logan helps Laura escape Pierce (Boyd Holbrook), Dr. Rice and a group of soldiers whose job is to kill all the remaining mutant children.

The effective parts of the story include strong acting by Jackman as a superhero whose both aging and slowly being poisoned by the adamantium (fictional metal alloy) that is imbedded in his body. The high-strung touchiness by which Logan and Caliban have towards each other while taking care of an ever-fragile Charles is indicative of their fading lives. The scenes are designed to breathe and nothing was rushed to show the strength of the mutant children, Laura, Charles, Logan, or Caliban. However, the ending fight was a little elongated and the men brought in to capture the mutants were too large an army to be believable.

From an acting point of view Jackman was perfect. It would be my guess that he’s probably glad to end his reign as Wolverine. He ends it with dignity which is a good thing because Marvel has let other characters in its stable get too far afield to enjoy or believe. Merchant was wonderful as Caliban with his ability to track and find. He made this role work. Stewart was wonderful and, like Jackman, is probably glad to have this role end because series like these can get too wildly convoluted. Grant was appropriately arrogant as Dr. Rice. Keen was mind-blowingly sublime. I loved her character and silence throughout the film until the end. She was totally believable. Holbrook as the soldier tasked with finding Laura was appropriately demonized. Scott Frank, James Mangold, and Michael Green wrote a very solid, strong and not overdone script. Characters could grow and develop which is rare in a superhero type film. Mangold did a wonderful job of directing this story and making it work.

Overall:  This was one of the best superhero mutant films on the books.